mandag 30. november 2020

"The Aristocats" - The Jazzy, Swinging Feline Feature Which Was Disney´s First Post Walt Picture

Hi folks! Welcome to my My Own Personal Nerdy Disney and Animation Scrutinizing Analysis blog. A blog where I'm analyzing several Disney films, Disney or Animation in general! These entries are just meant to be my analyses. Not reviews or statements. Just fun analyses! Though I'll make some personal remarks now and then, the content of these entries are meant to be depicted objectively. They're made for entertainment purpose only and the pictures/clips are copyright Disney or other companies. 

Make sure to leave a comment if you like this site! And if there's something you think could be improved, please let me know. But in a constructive way, please. And just a note; I'm not a Native English writer, so my incorrect grammar may be notable.

And finally; If you haven't seen the films, beware of spoilers! And the funny lines aren't meant to be nothing than funny. So I hope you won't find them offensive. If so, I apologize



Don`t perform a circus number when you`ll have two lovers present :)


And no, we don`t need
to fight for our right to
party :) Cuz we`re
cool :)

For once I´m going to start an entry with my own personal thoughts about this blog: When I was first planning to do this blog, I had my ideas about which features and subjects that I was or wasn´t going to write about. And if there was a movie that I was certain that would belong into the latter category, it was The Aristocats. It wasn´t because of having anything against that movie. On the contrary, I happen to like it a lot. But frankly it was because of the movie being too innocuous, harmless and unsubstantial that there was hardly nothing to write about. However, as previously mentioned, I´ve learned to expand my horizons and having written about movies or subjects that I never thought I was going to write about. So when I realized that there was something about The Aristocats to write about, I eventually decided to make this entry at last.
 
 
 
 

 
 
 
 
 
 
The Aristocats` Position in Disney History and Behind the Scenes Information

This is my way of being
bootylicious :)

However, regardless of this personal confession,
The Aristocats just
happens to have an important, yet non-cherished position in Disney´s history. Being the 20th in Disney`s animated canon, it was the very first animated feature which was released after Walt´s death.  
While technically it´s predecessor The Jungle Book would fill that bill (since it was after all released the following year after Walt´s demise), it still had much of Walt´s input. So Aristocats truly fills the bill of being the first feature after Walt. Yet it was the last idea Walt approved (he spent time working on The Rescuers when Jungle Book entered production). But Aristocats` fate was crucial to the studio: If it flopped, the studio was forced to shut down.
It may not be Monet,
but it`s close enough :)

Originally planned as a part of a two-part live
action show for NBC`s
Wonderful World of Disney for the 60`s by producer Harry Tytle (where the cats actually talked to each other, much like the popular Mr. Ed show). Walt felt there was too much material in the script and suggested eliminating the musical kittens (which meant that it was in development for a decade). Walt eventually decided that animation would be the most suitable medium for the story. Walt suggested that Tytle would make a deal with Tom McGowan to find animal stories for Disney. Who found a children’s book about a mother cat and her kittens set in New York City. Tytle felt that a London location had added a significant element to 101 Dalmatians and suggested setting the story in Paris. While Aristocats is a original story, it`s inspired by a true story of a Parisian family of cats that inherited a fabulous fortune (circa 1910). But Aristocats was postphoned at the expense of Jungle Book. 
I`m proud that I`m
standing above the
Eiffel Tower :)

However, we Disney buffs knows that the time betweeen post-Walt and the Renaissance haven´t been really looked fondly upon by Disney historians. So it´s needless to say that most Disney historians don´t happen to look fondly at The Aristocats. Even Disney-writer Jim Hill have said that "it's somewhat schizophrenic production history often makes it difficult for Disneyphiles & Animation Historians to decide how to categorize Aristocats. 
Yes, I did it on purpose :) It
wasn`t just an accident :)

One
particular argument about the first post-Walt movies that they were just shaped for kids. Whether they truly are, is up to you to decide. But still there`s been many claims that Walt`s version of the story (which the studio didn`t went for) was better (with the Parisian atmosphere and characters, all the French charm). Nor is Aristocats among one of Disney´s most exposed features, as it rarely is among the most promoted properties in the Disney canon. But it still doesn´t seem to be one of Disney´s most hated entities, either. It has a 7,1 rating on IMDb and it´s general rating of fans seem to be favorable. But for some reason, Marie is a huge Japanese favorite, with a ton of merchandise (yet one theory has been the lack of female characters that appeal to girls).  
This is how I usually
do the laundry :)

We`re cats, so we`re
supposed to walk
on the piano :)

Yet Aristocats had various Disney veterans on it. As Milt Kahl, Ollie Johnston, Frank Thomas and John Lounsbery as directing animators. Eric Larson was also an animator (being his last film). Ken Anderson (who had an education in architectural design, which came in handy and developed preliminary work) and Larry Clemmons were behind the story. Wolfgang Reitherman was the director. And the detective mouse Roquefort was voiced by Disney veteran Sterling Holloway (which created some havoc on itself, since he wasn`t in the original story. Tytle wanted to do a cat story without a mouse for once). Apparently the small team had little pressure on them. Yet when Walt died, the project was taken away from Tytle. Reitherman tossed out many of Walt`s ideas, as Walt was concerned to make an emotional picture. But Reitherman wanted rather make a movie that the animation team could deliver on time. Reitherman had an action-adventure/comedy romp in mind, like Dalmatians.
 
 
 
 

 




 

Aristocats` Innovations and Trademarks

I took the letter r away
because it appeals to my
species :)

The Aristocats (a clever pun title, still the name is a printer's error when the "r" was accidentally left off a chapter in David Duff's study called Albert and the Aristocats) is remarkable for a couple of reasons: First, it was Disney´s true entry into a French premise (while Cinderella has been confirmed to take place in France, it was never confirmed in the movie). Which is rugged art style does truly suits it´s setting. Secondly, it was Disney´s first feature centered around felines. Legend says that Walt hated cats, so that´s probably why they were often the antagonists (yet we´ll have to remember that Figaro from Pinocchio managed to live his short life outside the movie). Whether that statement is taken out of porportions, it´s still noteworthy that there haven`t been any feature from Disney which truly starred cats during his time.  
We`re doing this all day long :)
However, The Aristocats feels like an amalgam of Walt´s two prior movies about domesticated, household animals; Lady and The Tramp and 101 Dalmatians (which starred canines). As with Lady, it has a household female (Duchess, voiced by Eva Gabor, who "was just about the freshest femme voice the studio ever had". And played a mother for the first time, and would later on voice Bianca in The Rescuers). Who`s reluctantly leaving her sheltered, wealthy home and falling in love with a vagabond who doesn´t want to bind himself to a home. As with Dalmatians, it involves the protagonists being taken away from their home and having their homeward bound. Even Disney historians have stated this and while the similarites are obvious, it doesn`t feel as derivative as it could`ve. 
I`ll never think when I`ll
paint again :)


 

 


 
 
 
 
 
Aristocats` Similarities To It`s Counterparts of Its` Period & Music

Yes, canines and felines can
imitate each other :) At
least for a while :)

Regardless of Disney´s everlasting staple of being derivative, it would be fair to label the movies between post-Walt and the Renaissance as similar. In fact, most of them were animal-movies with the rugged Xerox style. And had various similar components But since The Aristocats was sandwhiched between The Jungle Book and the less regarded Robin Hood, it just happens to resemble especially those movies a lot.  
We`re not the Aristocats.
We`re just having that name
to fool people, as we`re
really wildcats :)

Yes, this is not a mirage :)
Cats can actually be a band :)

Regarding how songs are usually perceived as the main attraction for Disney features, it`s fair to say that the songs from Aristocats aren´t regarded for being the most famous ones in Disney´s pantheon. Yet the most remembered is without doubt Ev`rybody Wants to Be a Cat by Scat Cat. Who was voiced by Scatman Crothers and even named after him. But Scat Cat was initially modeled after Louis Armstrong, who was a fan of the Sherman`s heritage and was originally going to do the voice, but got sick. And yes, that song was modeled after  Jungle Book`s I Wanna Be Like You (yet the brief Chinese part has been perceived as racist). The song was a replacement for Le Jazz Hot, which was cut because the producers worried that Aristocats was getting too French (which is a strange concern to have when your movie is set in Paris).
Since we`re kittens, we`re
allowed to mess the piano
up with painting :)

Regarding the songs, they may not be Disney`s very best. But they´re still evocative enough. Personally, Scalas and Appergios is my favorite (the Sherman`s wanted to have something that sounded like you’re drilling into homework. It was originally called The Lesson Song, until they said "You learn how to do your scales and arpeggios" and realizing it was the title). Yet remarkably enough, the songs share the same genre as those from Jungle Book (still the jazz is of course something that would have purists scrutinize). And Thomas O`Malley was written by Terry Gilkyson (who wrote The Bare Necessities). One deleted song, Porquois, would have the cats listen to the song recorded by Madame Bonfamille (Hermione Baddeley). Which had the cats oblivious to where the voice came from. Despite the changes, Richard has said that he's still a big fan of the finished version




 


 
 
 
 
Aristocats` Tone and Flaws, More Behind the Scenes Information & Cancelled Spinoff Products

Have you never seen an
open mouth before? :)

No, I`m not drunk, this is
my usual underwear dance :)

Otherwise, there´s really not much to say about The Aristocats. It´s basically a road trip movie with a romance and comedy. Yet regarding the latter genre, some of it feels a little superfluous and needless to the story. Waldo is a character who virtually adds nothing to the story. While both Napoleon and Lafayette´s first attack is crucial to the plot, their second encounter is completely unnecessary and just filler (but it was warranted by popularity). As for our main villain Edgar, there´s hardly anything interesting about him to place him among the pantheon of great villains. And yes, Edgar was originally going to be the main character. And going to have an equally evil love interest, Elvira (which they shared had a duet, How Much You Mean To Me, which apparently was a fun songIt was even going to open the picture. 
Look at this, Bruce
Springsteen :)

As for the perky and breezy tone of Aristocats, is it fair to label it as pure fluff? Yes and no. While it does have a couple of pensive moments, there´s overall little of them. Yet it´s not a bad thing that fun and levity is what Aristocats is known for. Among the sequences that got cut, one was when O'Malley tricked Edgar into following him down into the sewers of Paris. Woolie Reitherman spiked this sequence out of concern that all of the water and lightning effects would increase the budget.
I`m a Tigger wannabe :)
Even though Nancy Kulp voiced of Frou-Frou the horse throughout the film, she wasn`t available for the final reprise of Ev'rybody Wants To Be A Cat. And so, in a last-minute casting arrangement, Ruth Buzzi provided the singing. Initially, Thomas O'Malley was going to have stripes. However, Reitherman learned with Shere Khan that animating stripes was difficult, time-consuming and expensive. Toulouse`s voice actor, Gary Dubin, never met Walt, nor saw the movie theatrically, but received the movie on VHS.
I`m dancing The
Drunken Goose

Dance :)











Epilogue

Regarding it`s final, non-pivotal reputation, the final question is if it`s deserved? From my personal perspective, I would say no. While The Aristocats has it´s few defenders, it doesn`t rank as the epitome of "underrated Disney" films. Regardless of this entry being my way of redeeming the movie, I still happen to have a soft spot for it. Since I usually wrap up my entries with my own personal memories with the movies that I`m writing about, I remember getting Aristocats at the age of 10. I was on the transitional age where I was into the Renaissance pictures, so I was never truly obsessed with it. 
Hey, cats have nine
lives, after all ;)

Nonetheless, I happened to like it a lot and I gave it several rewatches. So as with
most Disney, nostalgia has much to do with my fondness of  Aristocats. But it´s a fine film, nonetheless. It`s pleasant, good-natured and very appealing. And while it may not be the epitome of modern Disney`s, at least it was released a decade before I was born. So it still feels somewhat fresh and it`s hard to believe that it`s turned 50 in 2020 (the year that this entry was written). At the end, there`s nothing left but to wish Happy Past Anniversary, Aristocats, and may you continue to have many more.
 



Don`t be fooled, it`s more narrow than it looks :)




References: 
The Aristocats Legacy Collection
The Aristocats Special Edition DVD
Mouse Under Glass (David Koenig)
Tale As Old As Time: The Art and Making of Beauty and the Beast (Charles Salmon).
Waking Sleeping Beauty