torsdag 30. juli 2026

"The Great Mouse Detective" - The Mice Detective Movie That Was the First Successful Pre-Renaissance Movie from Disney

Hi folks! Welcome to my My Own Personal Nerdy Disney and Animation Scrutinizing Analysis blog. A blog where I'm analyzing several Disney films, Disney or Animation in general! These entries are just meant to be my analyses. Not reviews or statements. Just fun analyses! Though I'll make some personal remarks now and then, the content of these entries are meant to be depicted objectively. They're made for entertainment purpose only and the pictures/clips are copyright Disney or other companies. 

Make sure to leave a comment if you like this site! And if there's something you think could be improved, please let me know. But in a constructive way, please. And just a note; I'm not a Native English writer, so my incorrect grammar may be notable.

And finally; If you haven't seen the films, beware of spoilers! And the funny lines aren't meant to be nothing than funny. So I hope you won't find them offensive. If so, I apologize

 
 
 
I (Toby) know that I`m not a mouse, but I wanted to show that dogs can get along with mice more than cats :)

 
 
 
 
Don`t be fooled, Olivia, this
ride ain`t kid friendly :)
The late 1980`s was essentially a peculiar, but important time for Disney. It was the time between the death of Walt and the rebirth of the Renaissance. After having experienced the colossal commercial and critical failure with The Black Cauldron (which was a movie that I found bland at the beginning, but that I liked afterwards), Disney were slowly climbing up again and restoring their reputation. With the regime of Michael Eisner, Jeffrey Katzenberg, who wanted to take Disney back to it`s glory days, Disney decided to release a movie every year (which was something that Walt wanted to strive for, but never did, thanks to his perfectionism). 
Yes, I`m conceited that this 
picture was dedicated to me :)
The truth is that these movies have never been highly credited by Disney historians or Disney themselves for the lone reason for how they simply didn`t lived up to Walt`s time or the Renaissance. But at least there were two movies released before Disney managed to climb up again to their top (unless you count Who Framed Roger Rabbit, which was a Touchstone production). And the first movie to actually begin this small era was none other than The Great Mouse Detective.
 













General Information About The Great Mouse Detective

Released in July 2d 1986, The Great Mouse Detective was the very first picture released from John Musker and Ron Clements (the directors who would have the longest directing resume to date from Disney after Walt), with Dave Michener and Burny MattinsonBased on Basil of Baker Street by Eve Titus. Glen Keane, Mark Henn, Rob Minkoff, Hendel Butoy (The Rescuers Down Under), Ruben Aquino, Kathy Zielinski, Phil Nibbelink, Ron Husband, Barry Temple, Ed Gombert, Mike Gabriel, Jay Jackson, Andreas Deja, Ellen Woodbury, Kirk Wise, Tony deRosa and Dave Pruiksma were the animators. 
Lisa Keene worked with the background. Mark Dindal was the effect animator. Chuck Williams was the coordinating animator. Eric Larsson was the animation consultant. Rasoul Azadani was assistant layout. Vincent Price voiced Ratigan. Wayne Allwine and Tony Anselmo (Mickey Mouse and Donald Duck) voiced the Thug Guards (and Anselmo was a key assistant animator). Alan Young (Scrooge McDuck for Mickey's Christmas Carol) voiced Hiriam. Candy Candido (Chief in Peter PanMalificent’s goons in Sleeping Beauty and the Constable in Robin Hood) voiced Fidget. Detective was a critical and financial success (grossing $38,625,550 Worldwide), despite being surpassed by on Bluth`s An American Tail.
 
 
 
 
 
 

 
 
 
 
 
 
The Trademarks and Elements of The Great Mouse Detective
 
There`s a reason for why I`m
not entirely golden. Cause I
would be dead.

In a way, The Great Mouse Detective was among a trend of animated studios making movies about mice. Since The Great Mouse Detective was shaped and made to be a modern movie alongside with The Black Cauldron (with end credits and such), it harkened back to many of Disney`s previous properties. Since it`s another Disney movie set in London, England (after Peter Pan101 Dalamatians and Mary Poppins) and taking place in England (also after Alice in Wonderland, The Sword in the Stone and Robin Hood). Since mice has been Disney`s bread and butter (starting with Mickey Mouse, duuh), Detective fills that bills. But in that regards, it also harkens back to The Rescuers in many ways: For being a rescuing story, but also for featuring anthrophomorphic animals in a human World (yes, because Disney has always been tangible about naturalistic and anthropomorphic animals existing together). 
This is the reason for why I 
love being a cat :)
And yes, it has a cat who`s a pet to the rat, a rarity in animation (inspired by evil Ernst Blofeld in James Bond and also by Elizabeth Taylor in her later years). But Detective is also a movie to have only three songs (and none of them sung by the lead himself). And a villain who is truly memorable and is regarded as one of Disney`s best. But it`s a rare movie that is completely urban and taking place at nighttime. And yes, the girl of this piece is motherless. And since the Disneyfication aspect of Disney`s versions has always been relevant, the Disneyfication aspect is present here too, as Detective has little resemblance to the original stories, with the exception of the setting and some characters.
 
 
 
 
 
 
 


 
 
 
  

The Premise and The Protagonist of The Great Mouse Detective
 
I know that you want to play
with my pipe, Olivia, but it`s
not a toy :)
Due to it`s premise, The Great Mouse Detective is first and foremost a
mystery and serves like a version of Sherlock Holmes. And it tells three stories in parallel: Olivia`s quest for her father, Ratigan`s scheme and to a lesser extent Dawson`s story. And the bromance between Basil and Dawson is given some focus. But still while it`s first and foremost both Basil and Olivia`s story, Dawson`s subplot doesn`t feel superfluous or overlooked. But since Musker and Clements` features have been known for their own trademarks and elements (which were present in the Disney Renaissance), it`s remarkable how Detective included most of them, with the exception of a romance (despite how it`s sparingly hinted with Lady Mouse at the end, as her cameo could`ve been interpreted as a romance). 
Yes, we`re stuffed mice, so
we don`t come with germs :)

And it`s known for the use of CGI inside of Big Ben (where the CGI seems seemlessly integrated) in a very suspensful climax. But one notable thing about The Great Mouse Detective is it`s lead character, Basil. For being a snooty, condescending, stuck up and conceited character (traits taken by Holmes). Sure, Basil wasn`t the first Disney lead to be a brat (Peter Pan and Taran from Cauldron comes to mind, despite how they`re bratty in different ways). But at least Basil is the first adult protagonist to have an attitude (and his actor Barrie Ingham found him to be sensitive)And he`s still entertaining and appealing, despite of his bad attitude.

 
 
 
 
 
 

 
 
 
 
 
 
  The Reception and Staple of The Great Mouse Detective
 
As for the final reception of The Great Mouse Detective, thanks to it`s position in Disney`s canon, it`s not regarded to belong to Disney`s Pantheon list. And frankly, Disney historians usually credits it for starting the era of Disney that preceeded the Renaissance. So therefore it`s mostly regarded as good, but not great (despite being Charles Solomon favorite animated film of the 1980s). And sure, it has it`s fanbase and many people thinks it`s underrated. But it`s still not regarded as the epitome of Disney`s most underrated pictures. But it`s still not regarded as one of Disney`s Black Sheeps either. So despite how it haven`t rised from it`s ashes, it`s still worshipped by those who likes it.  
 
 
 
  
 
 
 

 
 
 
 
 
 
 
 
Behind the Scenes Information
 
It`s hard to be a dog dressed
as a bag :)
To make an film about Holmes with animals was first mentioned during The Rescuers.
Layout artist Joe Hale suggested Basil of Baker Street, but it was shelved as it was similar to RescuersIn 1980 or 1982, Clements brought up the idea again and Ron Miller approved it. As he was always interested in Holmes (and had made a 15-minute  Holmes animated short on Super 8 film). The crew liked the idea of a fun picture following the dark Cauldron. Yet the idea floundered for years with ten different storymen giving ideas. The movie was going to be wackier in Looney Tunes style. The crew had first good time to hone the story. But in a screening, Eisner and Katzenberg complained about the slow pacing and wanted for rewrites before animation would begin, which was over a year. Although at first the release was Christmas 1987. Eisner slashed the budget at $24 million in half, where it was green-lit at $10 million. And moved the release date to July 1986, giving the team a year to complete the film. Animation began in in the fall of 1984. Originally it was a 90-minute film but had to be cut to 74 minutes with a simple, tighter story and a smaller cast and shortcuts in animation. Over three years of work had been done and the film had to be re-pitched. 
I (Basil) wanted to stand out
by being dressed in green :)
An older love interest for Dawson was proposed for the victim, but Miller wanted the character be a little girl to have the audience feeling sorry for. Due to the flop of Paramount/Amblin film Young Sherlock Holmes, Eisner renamed the movie to The Great Mouse Detective (since the marketing thought the first title was too headscratching). The re-titling was unpopular with the crew (since they thought it was unimaginative), so Ed Gombert wrote a satirical interoffice memo giving preceding Disney films satiric titles as Seven Little Men Help a Girl, The Wonderful Elephant Who Could Really Fly, The Little Deer Who Grew Up, The Girl with the See-through Shoes, Two Dogs Fall in Love, Puppies Taken Away, and A Boy, a Bear and a Big Black Cat. And they later became a category on Jeopardy! And Schneider was furious about it. All the characters except Basil were designed by Keane. Candido recorded for Fidget in one hourBut when he first read, it was hard to understand him. And his natural low, gravelly tones were sped up to make him less threatening. His original voice is heard as the mouse shouting "Get off, you eight-legged bum!" at the octopus in the Rat Trap bar.  And Candido`s nephews rooted for his character. 
I wanted to be a rat version of
a demon :)
Basil Rathbone originally recorded the cameo of Sherlock Holmes. But he wanted more money for the snippet, so an actor recorded his lines in a Rathbone style, until a last minute agreement was made. To heighten the pitch, the tape recording of his voice was sped up. Nigel Bruce’s never voiced Dr. Watson, since he died in 1953. Ingham`s fan mail and approaches on the streets (by even old people) increased after Detective was released on Blu Ray. Since the bells in Big Ben would chime at every quarter-hour, the crew finished their research in one hour. Eric Larson worried about the tighter schedule, feeling that the crew wouldn`t have enough time to make a character work. Detective was the debut of Henry Mancini, aside from the opening for The Pink Panther. He composed a song to be a parody of Victorian British music hall. But Katzenberg hated it, and thought it was too mild and harmless. The crew wanted a more current song to make the film marketable. And Michael Jackson was suggested by Eisner sing as a character in the saloon, but it was met with uncomfortable silence. He later also proposed Madonna. So
Melissa Manchester was brought in. For being the first artist in the history of the Oscars to have two nominated movie themes Ice Castles and The Promise.  
 
 
 
 
 
 

 
 
 
 

 
Epilogue
 
I (Basil) forgot to take my 
glasses with me :)
At the end, 
The Great Mouse Detective is an honorary addition to Disney`s library. And it was a worthy way to redeem Disney when they were in a bad position. And sure, it may not be a milestone in Disney`s history, but still worthy of it`s own right. As for my own personal opinion about it, I remember that I wanted to have the read along cassette. And being intrigued by the movie. I got the read along when I was most likely seven years old. However, I never saw Detective Theatrically during it`s Theatrical releases. And finally saw it when it was released in Norway on VHS in the spring of 1995 (since it was released at the time) when I was four years older. 
Look at this, Black Eyed 
Peas :)

At the home of a childhood friend of mine. And frankly, I liked the movie, despite how I just found it okay and nothing else. And frankly, that`s the same impression that I`m stuck with today. Still, despite how
Detective is just good, but not great, it`s still pleasant, cozy and appealing enough to overcome it`s staple. While there are some juvenile bits of comedy here and there and the animation may not be as top-notch (no offense), the movie doesn`t have many serious flaws. And yes, it`s hard to believe that it`s now 40 years old. But considering that this entry was meant to synergize with it`s 40th Anniversary, there`s nothing left than to wish The Great Mouse Detective Happy 40th Anniversary and may you continue to have many more. 
 
 
 
 
 
Yes, I know that I (Ratigan) ain`t the detective of this story, but I wanted to be in front :)

 
 

References: 
The Great Mouse Detective DVD 
https://www.youtube.com/watch?v=wqji2EC3gnI&t=12s (Vincent Price Interview Splash 1986)  
Waking Sleeping Beauty 
The Art of Walt Disney: From Mickey Mouse to the Magic Kingdoms and Beyond (Christopher Finch)
Mouse Under Glass (David Koenig)

tirsdag 30. juni 2026

"The Little Matchgirl" - The Hand Drawn Animated Short Based on Hans Christian Andersen`s Fairy Tale

Hi folks! Welcome to my My Own Personal Nerdy Disney and Animation Scrutinizing Analysis blog. A blog where I'm analyzing several Disney films, Disney or Animation in general! These entries are just meant to be my analyses. Not reviews or statements. Just fun analyses! Though I'll make some personal remarks now and then, the content of these entries are meant to be depicted objectively. They're made for entertainment purpose only and the pictures/clips are copyright Disney or other companies. 

Make sure to leave a comment if you like this site! And if there's something you think could be improved, please let me know. But in a constructive way, please. And just a note; I'm not a Native English writer, so my incorrect grammar may be notable.

And finally; If you haven't seen the films, beware of spoilers! And the funny lines aren't meant to be nothing than funny. So I hope you won't find them offensive. If so, I apologize

 
For the first time ever I`m going to write about a short. But hey, there`s a first for everything, right?
 
 
 
 
Here I go again on my own... Right, Whitesnake? :)

 
 
 
 
I`m a albino statue :)
The history of shorts dates at the dawn of cinema. All movies at the time were very short, sometimes just a minute or two. It wasn`t until the 1910s when films started to get longer than ten minutes. When the television came, commercial live action shorts almost vanished in the mid-1950`s. But Cartoon Short Film had a longer shelf life, partly due to cheaper limited animation techniques, and TV animation took off. Allowing them to have a theatrical and a syndication run. And while shorts are aired as filler, Live-Action Shorts was a way for many famous filmmakers of today to launch their careers. 
I`m the female version of 
Jacob Marley from 
Christmas Carol
 :)
And regarding the position of shorts today, they now enjoy wider success, due to digital platforms and social media, But regarding the quality of animated shorts, while some of them are cheaply made, there were some made in higher quality. Some of those shorts made it theatrically, but others were meant for the theaters, but never made it. And sure, Disney has never been a stranger to shorts at all, as Walt started with them. But even they have made shorts of higher quality. Where some were made for the theaters and other didn`t made it. 
 
 
 
 
 
 
 

 
 
 
 
 
 
The History of Fantasia 2006
 
I`ve paid the broomstick to
make me look that I`m nice
to it :)
But regarding the genesis of this feature from this entry: When Walt made the grand and ambitious Fantasia in 1940 (who unfortunately turned out to be ahead of it`s time), he was planning to update it with new segments. However, unfortunately Fantasia turned out to be a huge flop, so Disney never got to fulfill his plans with the upcoming segments. It took sixty years before Disney (without Walt) dared to make it`s official follow up, Fantasia 2000 (which was greenlit on how Fantasia turned out to be huge hit on VHS). 
We`re coming from the Yellow
Submarine :)
Which unfortunately turned out to be a bigger flop. Disney were considering to make a third movie, Fantasia 2006. But unfortunately it was scrapped. But still there were some shorts made to it. While shorts like Lorenzo (from Pocahontas` Mike Gabriel), Destino and One by One (named after the song from The Lion King Broadway show of the same name) were made separately in the beginning of this Milleinum (in 2003, 2004) and found their ways into DVD releases and compilations, the very last short that was made to Fantasia 2006 was The Little Matchgirl. Which was made in the same mold as it`s predecessors. 
 
 
 
 
 
 
 

 
 
 
 
 

 
 
General Information About The Little Matchgirl
 
Don`t be fooled, it was
heavy to carry this box :)
Set to Nocturne from
Alexander Borodin's String Quartet #2The Little
Matchgirl was boarded and directed by Roger Allers (The Lion King) and produced by Roy Disney, Baker Bloodworth (Dinosaur), and Don Hahn. Dave Bossert was the Artistic Coordinator and Visuals EFX Supervisor. Ed Gombert
(Aladdin) and Ralph Zondag (Dinosaur) developed the story. Hans Bacher (Mulan), Randy Haycock (Hercules) and Mike Surrey (The Lion King) were the visual developers. Joe Haidar (Hercules) and Doug Frankel (The Emperor`s New Groove) were the animators. Mauro Maressa (Hercules) was the Visual Effect Animator. Thomas Baker (The Lion King) was the scene planner. Marshall Toomey (Beauty and the Beast) did the Clean Up. Matchgirl was also the final use of the CAPS system. 
Since I`m (Ariel) is 
petite, they made me
look taller for this
cover :)
While it made its debut at the Annecy International Animated Film Festival in France in June 5 2006, it was officially released to the public with the Platinum Edition release of The Little Mermaid (which could be perceived as a synergy, for being Hans Christian Andersen property).  It was nominated for the Academy Award for Best Animated Short, but lost to The Danish PoetIt won Best Film For Children at the 17th Festival of Animated Films 2006 Animafest World Festival of Animated Films Zagreb. As for the overall reception of Matchgirl, it has been well received by the public. As it was praised it for it`s visuals and poignancy. 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
The Trademarks of The Little Matchgirl
 
What makes The Little Matchgirl notable is it`s medium. For being one of the last gasps of high quality Hand Drawn animation in a World where it isn`t as prominent anymore (released right when Disney was officially resurging it with both
Enchanted and The Princess and the Frog). But since Disney has always adapted material from fairy tales and certainly from Hans Christian Andersen, it`s essentially another addition from that author. But what also makes Matchgirl notable is that it`s one of the few Disney properties set in Russia (with the exception of Peter and the Wolf
And yes, let`s skip the Anastasia comparisons, since it`s a Don Bluth property, shall we? Despite how Disney owns 20th Century Fox now). And it`s among the Disney properties to have a little girl (who looks non-White) as the lead. But what`s essentially unique about Matchgirl is it`s ending: How it`s brave enough to have a unhappy ending, despite how it`s not the first time Disney has adapted a story with an unhappy ending (*cough, Pocahontascough*). Despite how that ending, simultaneously, still has it`s own happy resonance. As it serves as being both tragic, but also concluding with it`s purpose at the same time (and frankly, it`s more uplifting than the ending of Pocahontas)
 
 
 
 
 
 
 

 
 
 
 
 
  

Behind the Scenes Information


Production on The Little Matchgirl got started in 2002. The story was chosen to make sense for a new Fantasia segment. It is something that could be done in pantomime and to music. When Don Hahn pitched it Allers (who was asked to come back to Disney), he was thrilled because it was his favorite story (and read it to his kids). The production took over four years. Allers decided early on that it should be hand drawn, spending months experimenting with paints and pigments. Both Hans Bacher and Randy Haycock was behind the character designs. But as the ink would trail off and fade out and the texture of the paper that came up underneath (by Bacher`s choice) inspired the idea of do it in water color. Not wanting the texture to be obvious, but still wanting the audience to notice that it was art. A challenge was to integrate the characters to the hand painted watercolor backgrounds. Which was done in CAPS by processing the line drawings to give it the appearance that pigment pooled towards the edges of the paint shapes (as it does in watercolor paintings). To give it texture and to have the color bleeding out towards the end of the outline of the character. They also created mottled grain in the painted character. For Allers it was lovely to board again. But he decided that the palette should be colorless due to the story and the visions to have a better palette during the scenes with the Grandmother.  

Regarding Disney`s ongoing staple of Disneyfication, the short leaves the girl's cruel father and the death of her grandmother (despite how it`s implied). But it was scrapped due to how it`s a short and it would`ve been too much to have the first subplot. And having her alone made her longing for her grandmother stronger. And the setting was moved to Russia. As the story was non-specific of it`s location, Saint Petersburg allowed for beautiful scenery, pre-elegance (which spoke to Allers). and was associated with snow and harsh winters. 
It was going to use Debussy's Claire de Lune, but Nocturne was chosen for evoking images of Russia. And how it had so much pathos in it. It was a challenge to make the shifts from back to reality. When Glen Keane saw the scene where the grandmother was holding the girl, he knew she was dead. Despite how Allers thought that the scene was rather about the girl being fully embraced by her grandmother. The executives at Disney didn`t want a sad ending, so happier endings were tried. But rejected. Roger wanted to be true to the original story. The ending is almost prayerful, without being religious. It`s a way to show hope and that all children have a right to exist.
 
 
 
 
 
 
 
 

 
 
 
 
 
 
Epilogue
 
At least I see the lights. Right
Rapunzel? :)
At the end, 
The Little Matchgirl is a worthy addition to Disney`s huge and ongoing legacy. And a respectful addition to Disney`s library of Hand Drawn animation. As for my own personal opinion about this short, the truth is that I like it. Despite how it`s not the very best Disney has ever done. The music that was chosen for it could`ve been better (no offense). But I still like it for the character designs, animation and overall mood and tone, as it`s skillfully done. 
Yes, even a child can sell an
adult candy :)
And it`s a well animated and does makes me long back for Hand Drawn
animation. And it`s a wistful reminder of what high quality Hand Drawn Animation once used to be and how it will probably never be the same again. And yes, it`s hard to believe that it`s now turned two decades old! 
But at the end, since this entry was meant to synergize it`s 20th Anniversary, there`s nothing else to wish The Little Matchgirl Happy 20th Anniversary and may you continue to have many more.
 
 
 
 
 
 
These sticks are actually candy :) No joke :)

 
 
 
References: