torsdag 28. mai 2026

The Grimm Brothers - The Famous Brotherly Authors Who`ve Inspired Many Disney Stories To Life

Hi folks! Welcome to my My Own Personal Nerdy Disney and Animation Scrutinizing Analysis blog. A blog where I'm analyzing several Disney films, Disney or Animation in general! These entries are just meant to be my analyses. Not reviews or statements. Just fun analyses! Though I'll make some personal remarks now and then, the content of these entries are meant to be depicted objectively. They're made for entertainment purpose only and the pictures/clips are copyright Disney or other companies. 

Make sure to leave a comment if you like this site! And if there's something you think could be improved, please let me know. But in a constructive way, please. And just a note; I'm not a Native English writer, so my incorrect grammar may be notable.

And finally; If you haven't seen the films, beware of spoilers! And the funny lines aren't meant to be nothing than funny. So I hope you won't find them offensive. If so, I apologize

 
 
 
 






I know that I`m standing out
with my brown gown, but they
told me so :)
Despite how Disney has always been synonymous with fairy tales, it`s very remarkable how the studio have made little of them as Full-Length Features. Sure, some of them have made it as shorts. But most of the fairy tales Disney has adapted have included one trademark that the studio has been synonymous with: The Princesses. In fact, the Princess element has stood out so much that they`ve outshined how their movies have been fairy tales and now become Princess movies. But that`s another story for now. But regardless of how Disney and fairy tales have been synonymous with each other, these tales had a large life of their own before Disney existed or tapped into them. 
We`re the attractive mimes :)

Sure, the Disneyfication aspect of these tales has always been relevant, due to Disney`s position (which also fuels the issue of purism). But regarding some of thehe authors who`s been behind these tale, two of them were the Grimm Brothers. The German brothers (Jacob, 1785–1863 and Wilhelm, 1786–1859) were academics, linguists, cultural researchers. And authors whose work in folklore, linguistics, and scholarship shaped the development of modern folkloristics and the study of the German language. They were also among the best-known tellers of European folktales. And most of their adaptations have lived on for generations. Which is the reason for why I`m making this entry.  
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
General Information About the Grimm Brothers
 
Jacob and Wilhelm Grimm were born in Hanau, Germany. To Philipp Wilhelm Grimm, a jurist, and Dorothea Grimm, daughter of a Kassel councilman.
They were the second- and third-eldest siblings in a family of nine kids (three who died as kids). As Jacob was the eldest sonIn 1791, the family moved to the countryside town of Steinau during Philipp's employment  as a district magistrate. The brothers were happy in Steinau. And were educated by private tutors, having a Lutheran upbringing, making them religious. But they went to schoolslater. In 1796, Philipp died of pneumonia, causing poverty for the family. Both brothers had to take adult tasks for the next two years. But their grandfather urged them to be industrious. They left Steinau in 1798 to attend the
Friedrichsgymnasium in Kassel. They were forced to rely on each other and become very close. They were different, as Jacob was introspective and Wilhelm was outgoing (although he suffered from ill health). But shared a strong work ethic and excelled in their studie. And they graduated at the head of his class, Jacob in 1803 and Wilhelm in 1804 (as he missed a year of school due to scarlet fever). Afterwards the brothers attended Marburg University. As they were treated badly due to lower social status. They were excluded from tuition aid. They had to request a dispensation to study law. Their poverty kept them from fellow activities or university social life. But their outsider status made them pursue their studies with extra vigor. 
Inspired by their law professor, Friedrich von Savigny, who made them interested in history and philology, the brothers studied medieval German literature. They shared Savigny's desire to see the 200 German principalities as a single state. The Grimms were introduced to Johann Gottfried Herder`s ideas of how German literature should be simpler. Jacob was still financially responsible for his family in 1805, so he became Savigny's research assistant in Paris. But on his return to Marburg he was forced to abandon his studies to support the family and joined the Hessian War Commission. In 1808, Jacob became a court librarian to the King of Westphalia and became a librarian in Kassel. After their mother's death that year, he became responsible for his younger siblings. He paid for his brother Ludwig's art school studies. And for Wilhelm' visit to Halle heart and respiratory problems, after Wilhelm joined Jacob as librarian in Kassel. 
On 15 May 1825, Wilhelm married Henriette Dorothea "Dortchen" Wild, a pharmacist's daughter and childhood friend. Who had given the brothers many tales (as Hansel and Gretel and Sleeping Beauty). Jacob never married, but lived in the house with Wilhelm and Dortchen. In 1830, both brothers were overlooked when the job of chief librarian was available,. They moved to Göttingen in the Kingdom of Hanover, where they worked at the University of Göttingen as professor (and Jacob also as a head librarian). In 1840, Savigny and Bettina von Arnim urged Frederick William IV of Prussia to give the brothers posts at the University of Berlin. And the Academy of Sciences gave them stipends to continue their research. Jacob researched German legal traditions and language. Published in the late 1840s/early 1850sWilhelm researched medieval literature, while editing new versions of Hausmärchen. After the revolutions of 1848 Germany, the brothers were chosen to the civil parliament. Jacob became a member of the National Assembly at Mainz. But their political activities were short-lived, as their hope for a unified Germany went away. Wilhelm died of an infection in Berlin, 16 December 1859. Jacob died on 20 September 1863.
 
 
 
 
 
 
 

 
 
 
 
 
 
The Adaptations of Grimm Brothers, Other Works and Criticism
 
As for the legacy of Grimms' stories, they contains legends, novellas and folk stories. And most of them weren`t kid tales. They collected and published their tales, Kinder- und Hausmärchen (with 86 folk tales), as a reflection of German cultural identity. In the first book, they also included Charles Perrault's tales. It`s that version of Grimms' collection which is a source to how scholars studying them. The brothers wanted to collect stories to make scholarly treatise of them and keep them as they had been handed from generation to generation (threatened by industrialization). Their book was based on stories gathered from educated acquaintances. They expanded and revised the book during their lives. They also published studies on Germanic and Scandinavian legends, medieval texts and history of language. But due to poverty in 1838, they began with a definitive German dictionary in 1838, which were uncompleted at their deaths. The first volume was not published until 1854.
During their times as librarians, the brothers published books between 1812 and 1830. Hausmärchen was followed by two books German legends and one of early literary history. They also published works about Danish, Irish folk tales and Norse mythology. Wiklhelm made the tales stylistically similar, added dialogue, removed pieces, improved the plots, and included psychological motifs. They also added religious and spiritual motifs and also from old Germanic faiths, Norse, Roman and Greek mythology, and biblical stories. Later on, Wilhelm excluded sexual elements and added morals. After 1819, he began writing original tales for children (who weren`t thought as a audience) and adding morals. However, Grimms' work have been critcized for anti-feminism. The tales were also criticized for being pure German. But scholars as Heinz Rölleke say that the stories are an accurate depiction of German culture, showing rustic simplicity and sexual modesty. Alistair Hauke, a Jungian, said that the deaths of the brothers' father and grandfather were why their stories idealize fathers. The Twelve Brothers mirrors their situations of brothers overcoming opposition. Where they follow a simple plot where a character lose a home, work industriously at a specific task, and in the end find a new home. 
Jacob's and Wilhelm's stories has been translated to more than 160 languages; 120 different editions of the text are available for sale in the US alone. And while some scholars criticized the Grimms' way in rewriting the legends, they set an example for legend collections that was followed by others. Between 1816 and 1818 the brothers published, Deutsche Sagen (German Legends) of 585 German legends. Unfortunately it sold poorly. And while Hausmärchen was not a bestseller at first, it`s popularity increased with each new edition. But they received lukewarm reviews on how the stories were unappealing, which the brothers responded to rewrite for children. By the 1870s the tales had increased in popularity to how they were added to teaching in Prussia. And it was the most popular book in Germany, second to the BibleAnd their stories have continued to be popular around the world. But regarding the stories that has been adapted from Grimm, are The Frog PrinceThe Brave Little TailorCinderella,
RapunzelHansel and GretelBriar RoseThe Golden Goose and The Three Little Birds among others.

 
 
 
 
 

 
 
 
 
 
 
The Disney Versions of the Grimm Stories
 
We`re the Santa`s of spring :)
Regarding the Grimm stories adapted from Disney, the studio has actually adapted of them. The first ones were Little Red Riding Hood and The Four Musicians of Bremen. Both of them in 1922 as Laugh-O-Gram shorts. Cinderella was also made as a Laugh-O-Gram short in 1922. Ten years later came Babes in the Woods, a Silly Symphony short inspired by Hansel and Gretel. In 1934, The Big Bad Wolf was released as Symphony short. Part sequel to Three Little Pigs and part retelling of Little Red Riding Hood. But the first Full-Length Feature from a Grimm story was the one who started it all (pardon my intended pun), Snow White and the Seven Dwarfs
Pocahontas gave me a spell to
have my hair fly in the wind :)
The following year had The Brave Little Tailor adapted as a Mickey Mouse short. In 1950, the Full-Length version of Cinderella was released. Nine years later, Sleeping Beauty came to screen. And despite how both of them are based on Charles Perrault`s versions, they take element from Grimm as well (in Cinderella how her father marries another woman with two older daughters, and how she`s going to be home by midnight. In Beauty as how she`s given the gift of beauty, the name Briar Rose, the curse and how it`s reduced to how her having her sleeping, the thorn hedge and the Prince awakening the Princess with a kiss). 
Since my hair is so long, I 
have to look after it so that it
doesn`t get dirty :)

In 1997, Redux Riding Hood (another version of Little Red Riding
Hood) was made by Walt Disney Television Animation as part of a planned show named Totally Twisted Fairy TalesIn 2009, The Princess and the Frog was very loosely adapted on both The Frog Prince 
and E. D. Baker's The Frog Princess. And the following Tangled 
was based on Rapunzel (and yes, let`s ignore the ridiculous name swap debate for now, shall we?). And while it may be superfluous to bring the live action remakes of Walt`s Princess triology, the Live Action Remake of Cinderella takes cues from Grimms` version (as how her mother tells her to remain good and kind. And how Cinderella begs his father for the first twig to knock his hat off).
 
 
 
 
 
 
 

 
 
 
 
 
 
Epilogue
 
I made the sword
myself :)
At the end, the Grimm Brothers remains one of the World`s most famous and well-known authors. And it`s a truly astonishing that they lived in a time before our times. And their work is going to continue to live on forever for many generations. As for my own personal experiences with Grimm`s stories, I knew about them and read them in my chilhood. I remember having some books and comics by them. But unfortunately I don`t have any specific memories of how and when I heard or read about them. However, as for Disney`s adaptations, I remember not seeing the Silly Symphony versions of the stories in my childhood. But I saw The Brave Little Tailor and thought it was okay. But I saw Snow White theatrically in my childhood and frankly finding the movie just okay (as I thought it was too grim and bittersweet). 
I`m doing the
bending 
dance :)
Both Cinderella and Sleeping Beauty I saw on VHS by renting them. And frankly, I liked Cinderella, but thought that Sleeping Beauty was too tedious, slow and pedestrian. However, I learned to like Snow White when I became an older child, as well as Sleeping Beauty. And now I prefer them to Cinderella, (sorry to say). With both The Princess and the Frog and Tangled, I liked them, despite how I never loved them. They had great elements in them, but were just good movies, just not great ones. But at the end, it`s amazing what a legacy the Grimm`s has given us. Since this entry was meant to synergize the anniversary of Wilhelm`s birth, there`s nothing left to and thank them for  their everlasing influence and legacy that their left to our World. 
 
 
 
 
 
 

 
 
 

 
 
References:

onsdag 29. april 2026

"The Wild" - The Non-Disney Animal Movie Released by Disney and Their Version of DreamWorks "Madagascar"

Hi folks! Welcome to my My Own Personal Nerdy Disney and Animation Scrutinizing Analysis blog. A blog where I'm analyzing several Disney films, Disney or Animation in general! These entries are just meant to be my analyses. Not reviews or statements. Just fun analyses! Though I'll make some personal remarks now and then, the content of these entries are meant to be depicted objectively. They're made for entertainment purpose only and the pictures/clips are copyright Disney or other companies. 

Make sure to leave a comment if you like this site! And if there's something you think could be improved, please let me know. But in a constructive way, please. And just a note; I'm not a Native English writer, so my incorrect grammar may be notable.

And finally; If you haven't seen the films, beware of spoilers! And the funny lines aren't meant to be nothing than funny. So I hope you won't find them offensive. If so, I apologize


 
 
Bridget is my (Nigel) servant, so that`s why I`m standing on her :)

 
 
 
 
At the beginning of this new Century, Disney had once again reached a new low and was stuck once again with a bad staple and reputation. After releasing a string of critical and commercial duds, Disney essentially reached their lowest low with the release of Chicken Little. A movie that was commercially successful, but badly received critically. It was a movie that was so bad that Disney soon learned from it`s critical failure and tried to not make a movie that reached such a low. But Disney essentially had followed the norm of what most animated studios were doing at the time and ditched Hand Drawn animation completely. 
And transitioned to CGI. But if we`re going to regard the Official List of Animated Movies from Disney, most of them have been released by the House of Mouse. However, there have been some exceptions to the rule. It would`ve been tempting to bring up Dinosaur, who despite was produced by the Secret Lab, was a Disney property, after all. Afterwards came Valiant in 2005, despite how it wasn`t a Disney property, was released with the Disney name. But the following year would see another movie who would follow that mold. And that was The Wild.  
 
 
 
 
 
 
 
 

 
 
 
 
 
General Information About The Wild
 
At least I`m not
Bridget Jones :)
Released in April 14th 2006, The Wild was
produced by Walt Disney Pictures, Hoytyboy Pictures, Sir Zip Studios, Contrafilm, and C.O.R.E. Feature Animation. But it was animated by C.O.R.E. Digital Pictures. Starring Kiefer Sutherland, Eddie Izzard, Jim Belushi, Janeane Garofalo, Richard Kind, Greg Cipes, Patrick Warburton, Jess Harnell and William Shatner. Alan Silvestri was the composer. Kevin Lima was the executive producer. Scott Johnston (The Lion King) and Oskar Urretabizkaia (Hercules) were the animators. Ken Duncan (Tarzan) was the animator supervisor. The Wild earned $102 million on an $80 million budget, making it a flop. As Disney had little interest in giving it a strong marketing push. Since it was sandwiched between Ice Age 2: Meltdown and DreamWorks Over the Hedge
 
 
 
 
 
 
 

 
 
 
 
 
  
 
Similarities to Other Animated Movies and Elements
 
I (Samson) don`t want you 
(Ryan) to lick my paw :)
Released in a time where most animated studios were trading ideas from each other, it`s fair to call The Wild derivative. Mostly because it blatantly ripoffs DreamWorks Madagascar (released almost a year priorly). Sure, it may be a shallow comparison, but both films has a similar plotline. The only exception is how Madagascar lacks a parent/child angle. But in that regard, The Wild also borrows a cue from The Lion King: A father/son dynamic between two lions, without the loss (and yes, even the logo for Broadway musical for The Lion King is present). Ryan even has a similar arc as Simba had and takes our cast to Africa (where it has wildebeest as the antagonists). But The Lion King isn`t the only movie it resembles, as the kidnapping is almost straight from Finding Nemo. And it has a protagonist being a parent (who even has his own tragic backstory, as Samson is neglected by his father and never even gets to get a closure). 
I was bummed out because
the movie wasn`t about me :)
Something that is rarely seen, but similar to both Nemo and 101
Dalmatians. If Chicken Little was a transitional movie from Disney, proving that they could make a movie that was truly modern, without being steeped in the mold from it`s past, The Wild was a continuation. It was executed in the same way, being mostly fun and frivolous and having pop songs (Coldplay`s Clocks). But as for it`s elements, it has an interspecies romance between a squirrel and a giraffe. And friendship between different animals who should`ve been enemies. And yes, regardless of what could be said about the screenplay, it`s clever enough to show the differences of being in captivate and being in the wild.  
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
The Staple of The Wild 
 
I`m the Golden Lion from the
Sun :)
As for the overall staple of The Wild, the truth is that it`s not highly rated. It only has a 5.2 on Imdb, 18% on Rotten Tomatoes, 36 on Popcornmeter and 63% on Google. It`s pretty safe to call it semi-forgotten, as it`s been hardly remembered. But why were people turned off by it? Well, some thought it was generic, shallow, had a frenetic pacing, lazy animation, dumb characters, a idiotic baddie and jokes that fall flat. And that it was overall terrible. As for my own personal opinion about it, do I agree with the bad remarks? Well, the truth is that The Wild is a mixed bag for me. It manages to shine when it does it`s strengths right. 
Don`t get used to this, Nigel :)
As it tells a sturdy story, has some good voice acting, animation, score and does have it`s moments. But it still has some truly, awfully cringey moments. Much of the comedy in the second and third half is bloody awful (pardon my expression) and awkwardly juvenile (especially the beetles). But as for it`s placement in the Disney canon, since it wasn`t a Disney production, it`s never been included in Disney`s official list of animated features. Not even when Disney radically changed their list in 2010 and included Dinosaur to make Tangled the 50th full-length feature film. So it`s placement in the Disney lineup is pretty much non-existent.
















 
Behind the Scenes Information
 
In November 1998, Walt Disney Pictures got a pitch from writers Mark
Gibson and Philip Halprin.
 By January 1999, it was named the working titles of The Big Break and The Great Escape at the Bronx ZooThe idea had been kicked around every studio since the early 90s. And it was planned to be in claymation in stop motion. It was originally titled Wild Life, directed by Howard Baker and Roger Gould (who were first-timers) and was to be animated by The Secret Lab (Dinosaur). It was a retro-1960's New York version of My Fair Lady (1964), but having Eliza Doolittle as an elephant. As a CGI version of Pygmalion. Some self-centered club-hopping kids get banned from their favorite night spot, a club called "Wild Life." And the only way they'll get back into the club is with a celebrity. And they`ll notice a lady elephant who sings and dances. But during the process, the kids learns to care about the elephant, who struggles to handle her public life, but hates it more when her celebrity starts to fade. It was going to be Toon Rendered (to give a 2D outline effect). 
And having design influences from Klasky Csupo, Nickelodeon and
James and the Giant Peach. Some hated the designs. Disney wanted a young voice cast, as actors from Dawson's Creek, Buffy the Vampire SlayerHans Bacher (Mulan) was the production designer and Brian McEntee (Beauty and the Beast) was the art director. And that it was better than Dinosaur. It was going to be more adult and edgy, with a cowboy character with a gay influence. And some bathroom jokes. The crew hoped that it could be released by Touchstone Pictures or Miramax. Six months and $20 million were spent. Tom Schumacher stopped Wild Life because the story wasn't strong enough. And after Roy Disney saw an early reel in the fall of 2000 (where the gay character teased another gay character, as they entered the New York City sewer system, saying he'd never been down a man hole before) decided that it wasn`t appropriate for Disney. 
And it was killed after the studio spent $20 million. But Schumacher
denied that the adult tone had to do with the cancellation, as it was deleted. Despite how directors ignored some of his notes. But Wild Life didn`t got enough of him, for being busy with many projects. In September 2000 the project was revived. It was going to be like Dinosaur, a blend of CGI and live action, but it was scrapped after Dinosaur`s Box Office results. Clint Goldman met Steve Williams (Industrial Light & Magic) and both joined the project in 2002, which was going to be a live-action project, because of Madagascar. But it was turned to animation. The animation began in 2003 and took two years to complete. Over 400 animators worked on the film. Sutherland had to practice roaring like a lion. And he practiced in his car on the freeway, not seeing a woman in the next lane watching him. Jennifer Aniston, Frances McDormand, Amanda Plummer, and Jennifer Beals were considered for Bridget. The Wild was the most expensive animated film produced in Canada. It was the first and last C.O.R.E. Feature Animation film, as they closed in 2010. Nigel the koala was a minor character until a lengthy recording session saw him much more fleshed out. The opening scene was rendered in CG, despite it`s 2D style. Made by Ken Duncan and Mike Smith at Real Effects. 




 
 
 
 

 
 
 
 
 
  
Epilogue
 
Look, I told you it wasn`t hard
to climb this fence, Ryan :)
At the end, it`s hard to defend something like The Wild. A movie that is mostly regarded as mediocre as a whole and is semi-forgotten. But as for my own personal experience with it, did I dislike it? Yes and no. When I saw it during it`s release year on Disney Channel, I remember liking parts of it, but also cringing at it`s awful parts. And frankly, revisiting it after not seeing it in two decades, I feel the exactly the same way about it. It doesn`t try and fall as hard as it`s predecessor, Chicken Little (which is overall inferior, in my opinion and had a bigger weight on it`s shoulders. For being Disney`s first official transition to a new medium). But The Wild still has some truly, awfully cringey moments. 
We`re the Canine versions of
the Hyenas from The Lion 
King
 :)
 
But does it truly deserve to be hated and neglected? Yes and no. While the awkward parts sullies the movie and prevents it to reach it`s full potential, I can still look past that for how The Wild shines with it`s own strengths. But still, The Wild is a middle-of-the-road movie and doesn`t needs to be regarded as something bigger than it is. But while that being said, since this entry was meant to synergize it`s 20th Anniversary (yes, it`s hard to believe that this movie is now that old), there`s nothing else to wish The Wild Happy 20th Anniversary and may you continue to have many more.
 
 
 
 
 
 
 
This is our way of doing the Leaning Tower in Pisa :)
 
 
 
 
 
 
References:
The Wild DVD