Hi folks! Welcome to my My Own Personal Nerdy Disney and Animation Scrutinizing Analysis blog. A blog where I'm analyzing several Disney films, Disney or Animation in general! These entries are just meant to be my analyses. Not reviews or statements. Just fun analyses! Though I'll make some personal remarks now and then, the content of these entries are meant to be depicted objectively. They're made for entertainment purpose only and the pictures/clips are copyright Disney or other companies.
Make sure to leave a comment if you like this site! And if there's something you think could be improved, please let me know. But in a constructive way, please. And just a note; I'm not a Native English writer, so my incorrect grammar may be notable.
And finally; If you haven't seen the films, beware of spoilers! And the funny lines aren't meant to be nothing than funny. So I hope you won't find them offensive. If so, I apologize
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| Aladdin's now the Genie stuck in the lamp instead of me ;) |
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| The floor is one fire instead of the roof :) |
While Disney characters are usually being labeled for being stock archetypes,
there`s actually been some archetypes which has gained more
praise than others. And one of these stock characters are the sidekicks.
These sidekicks have usually often praised for various things: They're
meant to serve as comic reliefs and are often praised for portraying
more personality and spark than the leads (who's in turn often labeled
as being bland). Of course the heroes aren't the only ones who`ve given
sidekicks, as the villains are usually given henchmen. Yet those
sidekicks are usually not as praised as the heroes` sidekicks.![]() |
| There's a reason why the useless ones are in minority :) |
Another
criticism is how the sidekicks often serves for merchandising
purposes. And while that statement is true to a certain degree, the
sidekick has been such a Disney trademark from the get-go that they've
been simply synonymous with Disney. And that`s why it's hard to imagine a
Disney movie without them.
Yet due their merchandising purposes (and other reasons), it's
understandable how some of them are giving celebrity voices. While it
may seem like a gimmick to do so, it could also be an inspired choice as
well. Since the celebrity can actually influence the character and make
a genuine inspired performance and combination. Which truly happened
with Aladdin's case.
And yes, since this entry is going to be about how Genie is perceived as synonymous with that trend, we'll have to remember that it happened way before Aladdin. It began with Pinocchio (Cliff Edwards, chosen for his lively smooth and upbeat voice) and continued with Alice in Wonderland and The Junge Book. The trend continued after Walt's death with The Great Mouse Detective and Oliver & Company. And we cannot forget that The Little Mermaid had no other than Buddy Hackett as Scuttle. Who made an inspired and believable performance. And Beauty and the Beast had at least Angela Landsbury and Jerry Orbach.

Yet regarding the whole celebrity voice acting thing, it's also remarkable that prior to Aladdin,
the celebrity voice casting rarely regarded the leads. Perhaps to add
fuel to the aforementioned fire to the blandness of a Disney lead, yet
nonetheless. Yet while the celebrity voice casting often applies to both
a lead and a sidekick, it`s often been perceived as synonymous to the
sidekicks. For the aforementioned reasons of marketing.
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| I'm Robot-Genie for this occassion :) |
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| This is my way of tempting you :) |
And then came Aladdin. Who with Robin Williams not only set the
mold for the celebrity voice casting, but also for adding pop culture References to a Disney Movie as well (which the crew praised the directors John Musker and Ron Clements for having a cunning gimmick for the adults in the audience). The directors were first afraid of much they could caricature the celebrity impersonations. Yet they were persauded of how much fun they could have with it by Genie's animator, Eric Goldberg.

The directors wrote the Genie with Robin Williams in mind. For having him as the only
choice for the part and even wrote some of his dialogue. Initially he
was written as an archetype, as an gameshow host and an evangelist. And
of course they were nervous to pitch him the role. Goldberg, who wanted
to work with Ron and John, was not sure if he was going to get the job.
And yet he was so impressed by the original temp voices of the Genie who
even sounded like Robin. Jeffrey Katzenberg was
initially skeptical about Williams' addition, which is why Disney management asked for other alternatives. Originally the executives wanted John Candy and Steve Martin for the part.![]() |
| As long as you don't call me Shortie :) |
| Now we know how Devon and Cornwall feels like :) |
Robin was encouraged to ad-lib as much as he wanted to (while he recorded the part in different States) and stopped following the script after the first eight drafts (A scene he did that was originally meant to last 30 Seconds went on for 10 minutes). In fact, Williams improvised so more than expected that the crew had almost 16 hours of material! Among the improvised lines were Genie's own introduction to Aladdin in the Cave of Wonders.
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| Yes, a cat can teach you to read :) |
Goldberg
had to design a character that was fluid and lightweight (and Goldberg
suggested that Genie would wear the same outfit that Williams wore in
the Walt Disney World Commercial Back to Neverland). Goldberg, who's won two Clios, was hired because the directors wanted his style.
And he joined the squad in September 1990, making his first job for
Disney. Ron and John were smitten by what was the most beautiful
commercials they've ever seen. ![]() |
| I hope they'll accept me with this costume :) |
The changing nature of the Genie was a proof for why he would work in animation (which was something
that was a relief for Goldberg). Yet animating Genie was no easy task.
Since Williams would either read the lines as written, using different
voices, while otherwise indulge in flights of fancy. And most of his
sessions would often start out low-key and then he would go wilder and
wilder. Which was something that he loved about his job, doing five
sessions of about four hours work. There were some discussions if
the Genie should have an Arabian accent. Yet it was ultimately more
satisfying if Genie actually just had Williams` voice alone. The celebrity
impressions were completely unexpected.
Animators
as Tom Sito, Joe Haidar, Broose Johnson and Dave Burgess were also
responsible for animating Genie as well. Goldberg casted the animators
for the scenes that they wanted (which certainly was in Nik Ranieri`s
case). Joe Haidar was urged to take inspiration in Diane Keatons
"La-Di-Da"-moment in Annie Hall in the climax. Goldberg said that
observing Williams' impersonations was a mistake, since he laughed of
his jokes all the time. Still he never looked at Robin's live action
footage. While Williams had his arms locked while performing, Goldberg
wanted Genie to be more looser in his arms. Several
mothers loved the scene where Genie is showing his belly off at the
beginning, due to it`s resemblance of pregnancy and got a big laugh.![]() |
| See my catch! Impressive, huh? :) |
Williams considered the Genie to be a caricature of himself, so the similarities between them had to be toned down. The directors wanted the
character to be a big, metamorphic guy who was bigger than life and
bald headed and barrel chested. So his design was altered, although some
of the facial features (the large jaw, the sharp nose and some
expression around the eyes) retained just a hint of Robin. Goldberg
was as known influenced by Al Hirschfeld and Disney animators Bill Tytla
and Fred Moore. And Goldberg also wanted to bring back "the great art" of the living line and "the unity of figures and background" from the Mickey Mouse cartoons. Still the Genie was also designed by Maurice Chevalier (while Howard Ashman initially saw the Genie as a hipster). ![]() |
| Yes, I'm bragging about my resume :) But hey, I can do that, since I'm a famous director :) |
Regardless of Williams not being the first major Star to grace the animated screen, he still happens to be credited for it. But the choice of Williams was essentially an inspired one, for his cartoony persona. And his performance was instantly praised by critics, declaring that stand up comedy and animation were bascially a perfect match. Overall, it's confirmed that Williams overall created 52 voices for 52 different characters. Williams recorded his voice in Skywalker Sound. He received the designs of the Genie while filming Hook and actually recorded his lines while shooting that picture.
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| Aladdin doesn't live here :) Just so you know :) |
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| At least it's not Toy Story :) |
Yet the whole story regarding the Robin Williams feud is quite well known. But to summarize it from the beginning: Williams (who was paid $485 for the job) declared that he didn't wanted to use his voice for commercial purposes and to sell the merchandise. He just wanted his voice to be used 25% at the marketing. For working on the property Toys at the same time and also wanting to do Genie for his children (which they loved).

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| Yes, it lives up to it's title :) |

Yet
we all know that Williams wasn't the only major star in this picture.
As Gilbert Gottfried lent his voice to Iago, who was a deliberate
addition to balance out Robin's performane. And to not having the film be dull until the Genie came along. And let's not forget about Full House's
Scott Weigner as our dear Al himself. Who was only 15 while being cast
(he even recorded the scene where the Genie is a bee with Williams a
scene that he enjoyed and that also was Glen Keane's favorite scene).
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| I'm taking a cue from Karen Smith from Mean Girls :) |
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Don't worry, we'll make this journey fun... to trick you :) |
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| I'm your new master now :) For a while :) |
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| Since the movie is about me (Jafar), I have the biggest head :) |
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| And that's of course Robin Hood :) |

Yet what's remarkable with the celebrity marketing is that Williams wasn't the only major star where his name wasn't made a big deal of in
the marketing. Since following Disney movies actually had major
stars as Mel Gibson, Demi Moore, Jason Alexander, Eddie Murphy and Rosie
O'Donell. While it's not known if those people actually had the same
demands as Williams, perhaps it could be tempting to wonder if their
subdued marketing could be an result of the Williams' conflict. Williams
won an Golden Globe for the role as Genie. What he loved most about the
part was being able to play a free character and has declared
that the recording process itself was overall wonderful. 
It's pretty fair to say that Aladdin is mostly labeled for Genie and Robin Williams. Since I've discussed that issue in my previous entry for Aladdin whether is Genie truly is the most memorable thing about the movie. Regarding the fact that he doesn't appear 35 minutes through the film (while Aladdin series' screenwriter, Tad Stones, has acknowledged Aladdin's greatness prior to Genie's appearance). Unless you'll count the Peddler at the beginning (who of course was going to be the Genie, which was a story point that was unfortunately scrapped).
While I've mentioned Aladdin`s other strengths, regardless
of the individuals opinions around it, it's
mostly truly labeled for Williams. And it's fair to also assume the
reality, guys: Williams was the part of the movie's success, regardless
of the winning streak that Disney was experiencing at the time. ![]() |
| One small step for Aladdin and Disney :) |
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| At least it`s not "to the infinty and beyond" :) |
Robin's
favorite part about the Blue Guy was his powers. And his deliberate
ability to travel back and forward in time (which was a reason why the
Genie could know about Pop Culture references). And
being able to sing, despite behing apprehensive at first. Yet he was relieved when he was encouraged to sing with different voices. Friend Like Me was the first song that was completed. ![]() |
| Green Goblin would've been so proud :) |
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| Shang would`ve loved this :) |
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| At least I'm not using my middle finger :) |


Yet
one should wonder with a celebrity like Williams doing a sidekick like
Genie, that Disney would be inspired to not
only by adding more Pop Culture references to their movies (something
that Williams wanted himself), but also having a similar character with a
celebrity voice. The answer is of course yes, for cynical reasons.
Because let's be real, guys: Showbiz is a cynical industry where money
matters. And when you have a success, you want to repeat it. But this issue has somewhat of a twist. Of course Disney never truly tried to make a sidekick that was an exact copy of the Genie (because every Disney movie simply doesn't call for such a character). Yet they've still tried to include a similar sidekick. Of course Disney themselves been have denied this and rather said that they've tried to expand their horizons and not replicate the success. And while there is some truth to that, it's still inevitable to not try to follow that mold for aforementioned reasons.
Of course the wisecracking sidekick existed way before Aladdin (as Jiminy Cricket happens to be one of the most cherished ones by Disney historians). And even characters who could transform themselves. Yet Genie still was a character and a departure of his own right.
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| I don't have any candy, since I'm an animal :) |
Yet regarding the following snarky sidekicks, The Lion King was in production at the same time as Aladdin. And
while it had some snarky sidekicks who were voiced by celebrities, they weren't as prominent as the Genie (and of course were naturalistic, due to the
naturalistic setting). With Pocahontas, though, Disney really tried to do something different and not having the wisecracking sidekick, for once. Which was a deliberate choice, to serve the seriousness of the story (yet it had a major star as the lead hunk by Mel Gibson). Yet the following movies from The Hunchback of Notre Dame to Tarzan, Disney tried to have a wisecracking sidekick that was shaped from the Genie. In Hunchback's case, it failed miserably. Since the Gargoyles are essentially universally perceived as the worst thing of the movie.

At least Hercules had Danny DeVito as Philoctetes (um sorry, I meant Phil), which was an inspired choice. But Hercules was shaped to be an Aladdin knock-off filled
with Pop Culture references, nonetheless. Regardless of the
wisecracking sidekick or not. Yet James Woods' Hades was actually being
labeled for being somewhat of a Genie-knockoff, just a villianous one. Since he was being voiced by a wisecracking celebrity. ![]() |
| We just had to confirm it to those who didn't understood :) |

Less praise was given to Rosie O'Donell's Terk from Tarzan. While not being meant to be an exact Genie knockoff, she's still been perceived to fit the same mold (yet a more relevant comparison would`ve been Timon from The Lion King). Even the Revival era would try to replicate that trope, with Musker and Clements latest picture, Moana. Maui has been perceived as a Genie knock off and while perhaps the studio haven't really promoted him as so, the similarities are still overt and obvious enough to proclaim him as a Genie copy. The same with Awkwafina`s Sisu from Raya and the Last Dragon.
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| Thanks for letting me be taller than you for once, Genie :) |

Of course the Genie knockoff that has been most compared to the Genie is Mushu from Mulan. The comparison may be a shallow one, since how both Aladdin and Mulan originates from Oriental settings. Yet the comparison is also a quite legit one. Since Eddie Murphy (who was originally a candidate for the Genie and to star in Oliver & Company as well) is a huge name. And Mushu comes across as being more prominent than the post-Genie sidekicks. Mushu even gets more screentime and characterization than Mulan's love interest Shang (while the same criticism applies to Aladdin as well, at least Jasmine is more prominent to the story than Shang was for his story).
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| The right side is the real me :) |
While
Mushu is mostly less regarded as the Genie, at least no matter what
could be said about him, he doesn't come across as being an exact copy of
the Genie either. Mushu is rather snarkier and
selfish than being constantly changing (still in true cartoon fashion,
he manages to have a couple of anachronistic props). Yet the Eddie Murphy chosing is
of course remarkable, for his sheer star power. As with Aladdin, Eddie
Murphy's voice wasn't as marketed overtly. Yet there was less fuzz
about the aftermath of his involvement than with Williams. And sure, it's of
course remarkable to have an African American comedian in an
ancient Chinese setting. But let's not discuss this subject, shall we? 
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| This was my best bad guy-grin :) |
It would be tempting to scrutinize every Disney sidekick that`s been inspired by Genie. And while even a Disney protagonist can show spark and snark, the snarky qualities are usually credited among the sidekicks. Regardless of how the followers have managed to be different from the Genie. Even the low-key Olaf from Frozen, who`s personality-trait is mostly based on sheer naivete, has claimed by his voice actor Josh Gad to be inspired by Genie.

Yet regardless of what individual opinions there is around Genie, it would be fair to objectively say that he comes across as superior to his counterparts. Mainly because of the sheer heart which Robin brought. And frankly, that's another thing that Genie has been praised for; For being a genuniely heartfelt character and a labor of love.What`s all more remarkable is that Eric Goldberg did supervise other sidekicks afterwards. He's basically been typecast for them, which it's of course not strange at all. Since it`s something that he does well and likes to do. It would tempting to wonder if Goldberg has ever been inspired to do a sidekick that truly was similar to the Genie. As both Phil and Louis from The Princess and the Frog are different, non-transforming sidekicks and never truly outshines the Genie.

| I'm trying to be Dumbo :) |
Yet Genie has been Goldberg's favorite character to animate. And has confirmed that Aladdin has been the most improvisasional animated movie that he's ever worked on. He even storyboarded Genie's outtakes-material on the Diamond Edition. While he originally wanted to do a scene where the Genie was auditioning for his role at the studio in 2003. Yet the executives rather wanted sheer outtakes.


There were several scenes which were cut with Genie (as an impersonation of George Bush). But there were certainly cuts in the climax, due to it's seriousness. The applause sign at the end of A Friend Like Me was a deliberate choice, since Jeffrey Katzenberg wanted every song number to have a applause. Alan Menken originally wanted an additional song for Genie that was called To Be Free. It would take place in the Oasis. But since Genie already had two other songs, it was cut. And believe it or not, there were originally going to be two Genies in the story; One that came from the lamp that belonged to Jafar and one that came from Aladdin's magic ring.
One struggle that the crew eventually had, was if the Genie's gags were going to be too mature for an children audience. While Disney themselves wanted to go the line, it was Katzenberg who wanted to ensure that Disney still maintained their family friendly policy. Katzenberg feared that the movie was going to turn into a Saturday Night Live skit. Which created some concerns, as one of Andreas Deja's assistants ran to him when she saw the animators impressions of Arnold Schwarzenegger. Williams's impersonation of Taxi Driver's Robert DeNiro was originally much longer, yet Martin Scorsesse loved it. Yet there were concerns about that Genie seemed too mean on that scene.

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| Magnus Carlsen should've been with us :) |

Unfortunately and coincidentially, this entry was written exactly five years since Williams' unfortunate death (whom Musker and Clements were told by their editor and all the tributes to the Genie moved Eric Goldberg). Yet Williams made Genie untouchable due to all these aforementioned reasons. So when Disney announced that Aladdin would join their recent live action remake boom after Williams' demise, there were of course concerns of the new portrayal of Genie. Yet when it was announced that Will Smith would be the one who would portray him, it didn't came exactly as a surprise.
But
of course a question regarding Smith's interpretation if
he's actually managed to honor the character and made him recognizable to those who loved William's version. Regardless of the
personal opinions around it, at least Smith's Genie is his own take. Yet
Smith had his own fears of living up to the role and not ruining it. I
apologize if this comment comes across as an attack at Smith's
interpretation, cause that's not my intention. Yet when someone
reinterpretes an iconic role, it will always be met with criticism,
regardless.
As for the other live action adaptations, there was originally a prequel planned to Aladdin called Genies. Which would be a live-action comedy adventure that would
focus on the realm of the Genies. And reveal how Aladdin's Genie ended
up enslaved in that lamp. It was originally meant to precede Guy
Ritchie's version, yet fate wanted it otherwise. According
to Times of London, a former Disney executive revealed that enough
of the Williams' lines from the original 1991 recording sessions were
able for the company to use them and make a fourth Aladdin movie. Unfortunately,
Disney ditched the plans when they discovered that Williams’ will
prevents them from using his name, taped performances or voice
recordings for 25 years after his death.
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| Our surnames are more important than our first names in this poster :) |
Yet to summarize the genesis of this trend, it was also evident in the success of Oliver & Company. Which star power may have been a reason why it drew more people than Mouse Detective
did. So while there's been rants about how star Power isn`t selling point (since the average moviegoer wants to rather watch a celebrity on a
movie than hearing one), there's no denial that celebrities does draw seats in watch an animated movie. 
No
matter the different points of views of this issue, we'll have to accept the inevitable fact, guys: That Hollywood is a cynical
corporation. And major stars will most likely always be used to voice an
animated feature,.whether the choice is truly inspired or not. It's a
gimmick, but it's a gimmick that existst to various reasons. And
sure, I`ll apologize if I came across as neglecting the other sidekicks at
the expense of the Genie. Since that wasn't my intention at all. And
yes, I know that I'm tapping into an issue that's derivative. But hey, I
wanted to take this shot. So please forgive me ;)
References:
https://en.wikipedia.org/wiki/Sidekick
https://studybreaks.com/tvfilm/disney-sidekicks/
http://www.kristalynavetovich.com/sidekicks/
https://www.inverse.com/article/35234-game-of-thrones-best-character-rank-jaime-death-tyrion-gendry-sidekicks
https://www.theatlantic.com/entertainment/archive/2011/10/how-celebrities-took-over-cartoon-voice-acting/247481/
http://freakonomics.com/2009/02/25/why-do-animated-films-use-such-famous-voices/
https://www.nytimes.com/2003/07/06/movies/film-television-when-a-list-actors-are-happy-to-hide-their-faces.html
https://tvtropes.org/pmwiki/pmwiki.php/Main/CelebrityVoiceActor
http://www.threecommentears.com/2015/11/aladdin/
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Disney Voice Actors: A Biographical Dictionary (Thomas S. Hischak); https://books.google.no/books?id=e1RTP8thtR0C&pg=PA198&lpg=PA198&dq=why+are+animated+sidekicks+given+celebrity+voices&source=bl&ots=AS_GtwuKS-&sig=ACfU3U2Jp-4EyO56GeaUtRH6-AuZ7GSmQA&hl=no&sa=X&ved=2ahUKEwjTiZ3fh9biAhXmwYsKHfanDiM4ChDoATAGegQICRAB#v=onepage&q=Robin%20Williams&f=false
Pinocchio Walt Disney Masterpiece Deluxe CAV Laserdisc Edition.
Pinocchio Platinum Edition
The Jungle Book Platinum Edition
https://www.imdb.com/title/tt0095776/trivia?ref_=tt_ql_2
https://en.wikipedia.org/wiki/Oliver_%26_Company
http://www.mcall.com/news/mc-xpm-1988-11-19-2663219-story.html
Mouse Under Glass (David Koenig).
Aladdin Platinum Edition.
Aladdin Diamond Edition.
The Making of Aladdin — A Whole New World (https://www.youtube.com/watch?v=wH5JaYL0Cmg)
Disney's Art of Animation: From Mickey Mouse to Hercules (Bob Thomas).
The Art of Walt Disney: From Mickey Mouse to the Magic Kingdoms and Beyond (Christopher Finch).
Robin (Dave Itzkoff): https://books.google.no/books?id=nfQ4DwAAQBAJ&pg=PA486&lpg=PA486&dq=robin+williams+ferngully+interview&source=bl&ots=HzJplq2Y1j&sig=ACfU3U2SsAxIVqTMNwqDYSoreKmgABwrRg&hl=no&sa=X&ved=2ahUKEwjU0OGW5OTiAhXFlYsKHUUzAZ8Q6AEwG3oECAkQAQ#v=onepage&q=Aladdin&f=false
https://www.imdb.com/title/tt0103639/trivia?ref_=tt_ql_2
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FernGully: The Last Rainforest - All-New Making-Of Featurette (https://www.youtube.com/watch?v=FXhZgZKD-iY)
https://www.cinemablend.com/news/1651751/why-disney-was-annoyed-about-ferngully-the-last-Rainforest
https://www.theparisreview.org/blog/2018/07/16/robin-williamss-best-role/
https://www.youtube.com/watch?v=3lQCPigQ1Jg&t=171s - Aladdin Movie Panel with Directors, Voice Actor, and Live-action References
https://www.youtube.com/watch?v=H5uJ56tX6jQ - Eric Goldberg at CTN Animation Expo 2011
https://www.youtube.com/watch?v=4bu-jCXKtJ4 - Eric Goldberg interview - Animator 2015 [KontraTV]
https://www.dailymotion.com/video/x1ouhsx (Nostalgia Chick's Five Top Least Awful Disney Sequels)
https://www.youtube.com/watch?v=nyiBdccfNkg&t=31s - How Aladdin Changed Animation (by Screwing Over Robin Williams)
https://en.wikipedia.org/wiki/Aladdin_(1992_Disney_film)
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New York Magazine: Robin Williams's Change of Life https://books.google.co.uk/books?id=axsAAAAAMBAJ&printsec=frontcover&hl=no&source=gbs_ge_summary_r&cad=0#v=onepage&q=Aladdin&f=false
https://www.youtube.com/watch?v=A7BPO-FfzgE - The creator of the Genie in Aladdin Eric Goldberg on working with Robin Williams
https://www.youtube.com/watch?v=_os5wePJcg8 - Animator Eric Goldberg in conversation with Wacom
https://www.youtube.com/watch?v=2ufWTuLNo_I - Robin Williams Interview Mrs Doubtfire & Aladdin Voices To Family Life | Blast From The Past
https://www.youtube.com/watch?v=uWTL-MYA050 - Glen Keane and Eric Goldberg pencil tests
Disney Animated Adventures September 1996
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https://www.youtube.com/watch?v=Qzgy9UEDlE4 Aladdin & The King of Thieves Behind the Microphone Part 1
https://www.youtube.com/watch?v=xcTDmPerIwo Aladdin & The King of Thieves Behind the Microphone Part 2
https://web.archive.org/web/20121025122146/http://www.ew.com/ew/article/0%2C%2C312562_2%2C00.html
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https://moviebabblereviews.com/2018/08/07/top-10-best-disney-animated-sidekicks/
https://www.sweetyhigh.com/read/ranking-disney-villain-sidekicks-050318
http://www.dvdmg.com/aladdinse.shtml
http://www.rinkworks.com/movies/m/hercules.1997.shtml
Pocahontas CAV Deluxe Laserdisc Edition
The Ultimate Guide to Aladdin: Entertainment Collector's Edition
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https://nypost.com/2015/11/08/robin-williams-will-prevents-use-of-outtakes-for-aladdin-sequel/
https://www.awn.com/animationworld/tad-stones-interview-part-3









































