onsdag 30. april 2025

Hans Christian Andersen - The Famous and Well-Known Author Who Inspired Many Stories That Disney Brought to Life

Hi folks! Welcome to my My Own Personal Nerdy Disney and Animation Scrutinizing Analysis blog. A blog where I'm analyzing several Disney films, Disney or Animation in general! These entries are just meant to be my analyses. Not reviews or statements. Just fun analyses! Though I'll make some personal remarks now and then, the content of these entries are meant to be depicted objectively. They're made for entertainment purpose only and the pictures/clips are copyright Disney or other companies. 

Make sure to leave a comment if you like this site! And if there's something you think could be improved, please let me know. But in a constructive way, please. And just a note; I'm not a Native English writer, so my incorrect grammar may be notable.

And finally; If you haven't seen the films, beware of spoilers! And the funny lines aren't meant to be nothing than funny. So I hope you won't find them offensive. If so, I apologize


For the first time ever I`m going to write about an author. An author who`s inspired many Disney stories. But hey, there`s always a first for everything, right?
  

 
 






There was no room for
Andersen in this picture :)

It`s hard to believe that we live in a time where Disney has pretty
much left what was their original staple: To adapt well-known and famous stories. It was essentially Disney`s bread and butter all along. Which essentially started way along with Walt. Despite how Walt essentially made some original stories, he mostly adapted many stories. Which started the issue of Disneyfication. While the trend of adapting well known stories continued way after Walt`s death, where Disney afterwards began to adapt other source materials, like myths (which certainly was an issue during the Disney Renaissance), the truth is that Disney began making original stories afterwards. 
You know what they say:
Ignorance is bliss. So that`s
why I`m glad by what`s
happening behind my back :)
And while some of the Revival pictures that featured Princesses were based on well known fairy tales (The Princess and the Frog, Tangled and Frozen), it`s been a while since Disney actually adapted a famous story. However, there have been many famous authors that have inspired Disney`s library. And they were essentially authors who existed long before Disney and created many iconic stories. One of them happens to be none other than Hans Christian Andersen, one of the most famous authors of the Century. Despite how he wrote plays, novels, poems and travelogues, he was mostly known for his fairy tales. But what made his work remarkable is that unlike the Grimm Brothers and Charles Perrault, Andersen was able to create new fairy tales that could stand among them.
 
 
 
 
 
 
 

 
 
 
 
 
 
General Information About Hans Christian Andersen
 

Hans Christian Andersen was a Danish author, born in Odense, Denmark, on 2 April 1805. Named after his father, Hans. Who was a poor shoemaker. H.C.`s mother, Anne Marie Andersdatter, was an illiterate washerwoman. There have been suggestions that H.C. was an illegitimate son of King Christian VIII. His father, who had received an elementary school education, introduced his son to literature, reading him Arabian Nights. The family didn`t have an address until 1807. His father died of an illness he got when he enlisted as a soldier at the Napoleonic Wars in 1812-14. After his death in 1816, H.C`s mother remarried in 1818. Andersen went local school for poor children and had to support himself, working as an apprentice to a weaver and a tailor. At 14, H.C. moved to Copenhagen to work as an actor. Having a good soprano voice, he got into the Royal Danish Theatre, but his voice soon changed. A colleague told him about his poet skills, which H.C. took seriously. Jonas Collin, director of the Royal Danish Theatre, sent him to grammar school in Slagelse. Convincing King Frederick VI to pay H.C.`s education. H.C. also attended school at Elsinore to 1827. 
For H.C., the years at Elsinore were the darkest years of his life. But at a school, he lived at his master's home. Where he was abused, to improve his character. Which prevented him from writing and made him depressed. Between 1845 and 1864, H.C. lived at Nyhavn 67, Copenhagen, where a memorial plaque is placed. In June 1847, H.C. visited England for the first time. At party he met Charles Dickens. Both respected each other. In 1857, H.C. visited Dickens and extended his brief visit to five-weeks. To the distress of Dickens' family. After H.C. was told to leave, Dickens stopped all correspondence between them. To H.C.`s dismay and confusion. However, regarding`s H.C.`s sexuality, it`s true that he was also attracted to men. As he crushed on Edvard Collin. H.C. had a relationship with Karl Alexander, the hereditary duke of Saxe-Weimar-Eisenach. Jackie Wullschlager`s biography indicates he was possibly lovers with Danish dancer Harald Scharff. Who met H.C. when the author was in his 50s. People regarded the relationship as improper and ridiculous. However, the relationship ended in November 1963. Which H.C. took calmly, despite how he tried to restore the relationship many times and failed. But due to his moral and religion, H.C. had to hide his gay relationships. But H.C. also fell in love with unattainable women, and referenced them in his stories. As in The Nightingale for Jenny Lind, inspired by her nickname, "Swedish Nightingale." 
H.C. was shy around women and had a hard time proposing to Lind. When she boarded a train to an opera concert, he proposed to her through a letter. Her feelings to him were not the same. It`s suggested that H.C. portrayed Lind as the antihero of The Snow Queen. In early 1872, at the age of 67, H.C. fell out of his bed and was hurt. And never fully recovered from the injuries. Soon afterward, he showed signs of liver cancer. H.C. died on 4 August 1875 at the age of 70. In the country house Rolighed (calmness) near Copenhagen, where his close friends, the banker Moritz G. Melchior and his wife lived. Shortly before his death, Andersen asked a composer to make music for his funeral, saying: "Most of the people who will walk after me will be children, so make the beat keep time with little steps." H.C. was interred in the Assistens Kirkegård in Nørrebro, of Copenhagen, in the Collin family plot. 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
Hans Christian Andersen`s Work
 
The picture was taken way
before technicolor :)
Hans Christian Andersen`s fantasy took shape from his first visit to the Odense theatre. In 1822 he published his first story, The Ghost at Palnatoke's Grave. However, an early fairy tale, The Tallow Candle, was discovered in in October 2012. Also written in the 1820s, is about a candle who`s not accepted. dedicated to one of his benefactors. It was found in family papers in a local archive. In 1829, Andersen wrote the short story A Journey on Foot from Holmen's Canal to the East Point of Amager, which was a success. Afterwards he wrote the theatrical piece, Love on St. Nicholas Church Tower, and a short volume of poems. He didn`t wrote after those poems, but received a small travel grant from the king in 1833. Which made Andersen to journey throug Europe many times. At Jura, Switzerland, Andersen wrote Agnete and the Merman (preceeding The Little Mermaid). The same year, he spent an evening in the Italian village of Sestri Levante, which inspired The Bay of Fables. And his travels in Italy were reflected in his first novel, a fictionalized autobiography named The Improvisatore. Published in 1835 to instant success. 
This is how diaries used to
be :)
Fairy Tales Told for Children. First Collection had nine fairy tales. Published in a series of three books by C. A. Reitzel in Copenhagen, between May 1835 and April 1837. Being Andersen's first venture into fairy tale genre. The first book of sixty-one unbound pages, published 8 May 1835, had The Tinderbox, Little Claus and Big Claus, The Princess and the Pea and Little Ida's Flowers. The first three tales were based on tales he heard as a child. The fourth was his creation for Ida Thiele, daughter of folklorist Just Mathias Thiele, Andersen's benefactor. Reitzel paid Andersen 30 rigsdalers for the script, and it was priced at 24 shillings. The second booklet was published 16 December 1835, which had The Naughty Boy, The Traveling Companion and Thumbelina. The last story was inspired by Tom Thumb and other stories of miniature people. Naughty Boy was inspired about Eros from Anacreontea and The Traveling Companion was a ghost story Andersen experimented with in 1830.
No, this Donkey ride is not for
free :)
The third booklet had The Little Mermaid and The Emperor's New Clothes, published 7 April 1837. Mermaid was inspired by Friedrich de la Motte Fouqué`s Undine (1811) and legends about mermaids. The tale established Andersen's international reputation. Clothes was based on a medieval Spanish story with Arab and Jewish origins. However, Danish reviews of the first two stories weren`t good. They hated the chatty, informal style and apparent immorality, since children's literature was meant to educate than to amuse. The critics told him to prevent that style. But he wanted to work against their notions of fairy tales, and he returned to novel-writing, waiting a year before publishing his third work. In 1838, The Steadfast Tin Soldier was published (which wasn`t based on a existing tale). Both The Ugly Duckling and The Nightingale were published in 1843, The Snow Queen was published (the longest of his stories) in 1844. And the following year The Little Matchgirl and The Shepherdess and the Chimney Sweep. In 1868, Horace Scudder (editor of Riverside Magazine For Young People), offered Andersen $500 for 12 new stories. Sixteen of them were published in the magazine, and 10 of them appeared there before they came to Denmark.  
We`re the cupids of the lake :)
In 1851, Andersen published In Sweden, some travel sketches. Which got wide acclaim. A keen traveler, he wrote many other travelogues: Shadow Pictures of a Journey to the Harz, Swiss Saxony, etc. etc. in the Summer of 1831, A Poet's Bazaar, In Spain, and A Visit to Portugal in 1866. In his travelogues, Andersen used current conventions about travel writing, but developed a style of his own. Each of his travelogues had documentary, descriptions of his experiences and philosophical passages on authorship, immortality, and fiction in travel reports. Some of them had fairy tales. In the 1840s, Andersen returned to the theatre, but with little success. He had better luck with Picture-Book without Pictures (1840). Andersen made a second series of fairy tales in 1838 and a third series in 1845. At this point, he was cherished by Europe, but Denmark still showed resistance to his work. Andersen was known for writing stories with simplicity and grace. However, he was also known for not knowing to end his stories. 
 










  
 
 
The Disney Properties That Hans Christian Andersen Adapted 
 
I know my hug would be anti-
feminist for a Princess
nowadays :)
Regarding the properties Disney has adapted from Hans Christian Andersen, the truth is that Disney has adapted many of them. Not only in movies, but in shorts, too. Walt had made a black-and-white Silly Symphony episode of  The Ugly Duckling in 1931 (where the Duckling is a duck who`s hatched by a chicken). Walt also made the Symphony short The China Shop (based on The Shepherdess and the Chimney Sweep) in 1934. But his first truly remembered adaptation of an Andersen story was with The Ugly Duckling (1939), the final short in the Symphony series. And won the Oscars in 1939 for Best Animated Short Subject
The orange garment below my
shoulder compliments me :)
Sort of :)
However, Walt wanted to make a documentary about Andersen. The parts of his life were going to be in live-action, while intertwined parts of his fairy tales were animated. Which were Mermaid, The Little Fir Tree, Through the Picture Frame, Nightingale, Tin Soldier, Clothes, Through the Picture Frame and The Little Fir-Tree. Walt made a partnership with MGM Studios, asking them to make the live-action parts (before Snow White and the Seven Dwarfs). With Samuel Goldwyn, in March 1940. But Walt hated the scripts MGM sent to them. In December 1940, Larry Clemmons wrote a script, which involved MGM and Goldwyn again. But Disney became too busy with war-related films to make it any further.
We`re the kings guards :) And
yes, that even counts me (the
Ballerina :)
However, there`s no doubt that one of Disney`s most well-known property of Andersen story is Mermaid, from 1989. Everyone who knows Disney knows the immortal position of that iconic movie. But what`s remarkable is that in the TV series (1992), Andersen himself appears to visit the sea in the Metal Fish episode (where he writes about Mermaid). Another Andersen property that was adapted was Tin Soldier. As a short segment in Fantasia 2000 to Piano Concerto No. 2 by Dmitri Shostakovich. And directed by Hendel Butoy (The Rescuers Down Under). While Lilo & Stitch had little to do with Andersen, it still had a slight nod to Duckling.
Wow, even a book of Ice can
be read :)
Another Andersen short made was The Little Matchgirl who was originally intended to be in Fantasia 2006 (set to the Nocturne from Alexander Borodin's String Quartet #2). Directed by Roger Allers (The Lion King) and produced by Don Hahn (Beauty and the Beast). But it was devised as it`s own short and released with Mermaid`s Platinum Edition DVD in 2006. However, it`s needless to say that the most famous Andersen`s property is none other than a little film called Frozen (from Snow Queen). Who became Disney`s biggest hit to date (and the adaptation of an Andersen story who`s the least faithful to it`s source material most). Frozen also had a slight nod to Duckling. While Frozen II had less to do with Andersen`s original tale, at least it had a cute tongue-in-cheek nod to the original tale of Mermaid.
 
 
 
 
 
 
 

 
 
 
 
 
 
 
Non-Disney Properties That Were Adapted From Andersen`s Stories
 
I`m the White Iron Queen :)
As for other non-Disney animated properties that`s been adapted from Andersen, The Snow Queen was adapted in 1957 as an animated film in Sovjet. By Lev Atmanov of Soyuzmultfil. A faithful depiction of the fairy tale which gained critical acclaim. The Wild Swans (1962) was also Soviet animated version of the tale, by Soyuzmultfilm. The Little Mermaid (1968) is a 30-minute faithful Soviet animated short, also by Soyuzmultfilm. The World of Hans Christian Andersen (1968) was a Japanese anime film from Toei Doga, based on the works of the author. Andersen Monogatari (1971) is a Japanese animated anthology show by Mushi Production. Hans Christian Andersen's The Little Mermaid (1975) was Japanese anime film from Toei. The Wild Swans (1977) is also Japanese animated version by Toei. Thumbelina (1978) is also an Japanese anime film from Toei.  
This is made for Sleeping
Beauty :)
The Girl who Trod on the Loaf (1986) is an animated movie from Kievnauchfilm. Timeless Tales from Hallmark (1990) was an American live-action/animated direct-to-video show of fairy tales, hosted by Olivia Newton-John. Produced by H-B Production Co. and Hallmark Cards, it aired on USA Network in 1991. The fairy tales shown were Clothes, Thumbelina, Duckling and Tin Soldier. And let`s not forget Don Bluth`s Thumbelina (1994), which was a conscious Disney spoof at the time. The Fairytaler (2003), Danish-British animated series based on several Andersen fairy tales. The Snow Queen (2012) is a Russian 3D animated film, the first film of series made by Wizart Animation (preceeding Disney`s version). Ginger's Tale (2020) is a Russian 2D animated film loosely based on The Tinderbox, made at Vverh Animation Studio in Moscow. 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
Epilogue
 


At the end, Hans Christian Andersen remains one of the World`s most famous and well-known authors. And it`s a truly astonishing that he lived in a time before our times. And his work is going to continue to live on forever for many generations. As for my own personal experiences with Andersen`s stories, the truth is that I knew about them and read them in my chilhood. But unfortunately I don`t have any specific memories of how and when I heard about them. However, as for Disney`s adaptations, I remember seeing both Duckling and Mermaid during my childhood. I remember renting From Aesop to Hans Christian Andersen, where it actually was on a compilation video (which I didn`t like). Frankly, I don`t remember if I was mesmerized with Duckling, but I was most likely not. As for Mermaid, I saw it with a childhood friend of mine. And frankly, Mermaid was always a movie that I liked, but never truly loved (until I reached my adult years). 
But as for the other adaptations Andersen`s other works, I remember seeing Timeless Tales from Hallmark on TV as a child. And liked it well enough. I also liked the Metal Fish episode in the Mermaid series and Tin Soldier in Fantasia 2000 (despite how I was already a teenager when that movie was released). I found Matchgirl to be a well-made and fine little short. And while I liked Frozen when it first came out, I was never gaga for it, as it became massively overexposed. The sequel was better as a whole, thogh.. And sure, it`s a departure to write an entry about a person who`s actually dead. But of course by writing one, it`s always with a little respect for the person. Since this entry was meant to synergize his anniversary, there`s nothing left to and thank him Hans Christian Andersen for his everlasing influence and legacy that he`s left to our World.
 
 
 

 
 

 
 
 
 


References:

mandag 31. mars 2025

"The Road to El Dorado" - The Second Hand Drawn Animated Feature from DreamWorks and the First DreamWorks Flop That Became a Cult Classic

Hi folks! Welcome to my My Own Personal Nerdy Disney and Animation Scrutinizing Analysis blog. A blog where I'm analyzing several Disney films, Disney or Animation in general! These entries are just meant to be my analyses. Not reviews or statements. Just fun analyses! Though I'll make some personal remarks now and then, the content of these entries are meant to be depicted objectively. They're made for entertainment purpose only and the pictures/clips are copyright Disney or other companies. 

Make sure to leave a comment if you like this site! And if there's something you think could be improved, please let me know. But in a constructive way, please. And just a note; I'm not a Native English writer, so my incorrect grammar may be notable.

And finally; If you haven't seen the films, beware of spoilers! And the funny lines aren't meant to be nothing than funny. So I hope you won't find them offensive. If so, I apologize

 
 
 
The Gold was the adventure :) Don`t ask us why :)



 
 
Me and Altivo have a
strained relationship, so
that`s why I`m not riding
him :)

In the beginning of this new Millenium, it was clear that non-Disney companies were finally receiving some momentum and buzz with their animated movies. 20th Century Fox marked their way with the Disney spoof Anastasia, Warner Brothers made their impact with The Iron Giant (who despite wasn`t an instant Box Office hit, it still gained it`s legacy afterwards). But last, but not least, DreamWorks and PDI marked their way with their features. While DreamWorks was always perceived as being Disney and Pixar`s true challenger, the truth is that they didn`t manage to throw Disney from their throne until Shrek in 2001.
This is our (Spaniards)
way of doing magic :)
However, DreamWorks managed to make their own impact, with the more adult-oriented and edgier Antz and the Biblical and somber The Prince of Egypt. While the latter movie was the picture that managed to gain more buzz, the truth is while it did financially okay, it still marked a staple for DreamWorks and gave them something to live up to. And while their hand drawn followers would arrive in a time where animation would change forever, their first official follower to Egypt was none other than The Road to El Dorado.
 
 
 
 
 
 
 

 
 
 
 
 
 
 
General Information About The Road to El Dorado
 
Released in March 2000, The Road to El Dorado was the second of four hand drawn animated features made from DreamWorks before they eventually morphed into their mandatory CGI  phase. And yes, it was their first animated feature for the new Millenium. It was directed by Eric "Bibo" Bergeron, Don Paul (Who Framed Roger Rabbit, The Little MermaidPocahontas) and Jeffrey Katzenberg uncredited (who helmed the Disney Renaissance). Some scenes were directed by Will Finn (Beauty and the BeastAladdin) and David Silverman. 
Ted Elliott and Terry Rossio (Aladdin, Shrek, Pirates of the Caribbean) wrote the screenplay, alongside with Philip LaZebnik (Pocahontas, Mulan, Egypt)The Road to El Dorado features an A-list star cast for it`s two leads, Kevin Kline (The Hunchback of Notre Dame, Beauty) and Kenneth Brannagh (Cinderella). Rosie Perez, Armand Assante, Edward James Olmos, Jim Cummings, Frank Welker and Duncan Marjoribanks were among the actors. The soundtrack was from none other than from Elton John and Tim Rice, who`s of course known for a certain movie named The Lion King. And the score was from Hans Zimmer and John Powell. Making their first animated collaboration since the feline phenomenon. 
But unlike Lion King, John performed the songs himself in the movie (and yes, where John was also animated for the music video, directed by Joseph Kahn). Being a part of the new trend in animation, where aging rock stars performed the songs for movies, following Tarzan (with the exception of It`s Tough To Be a God, which was performed by Kline and Brannagh).  
Katzenberg was also the executive producer. Ronnie del Carmen (Ratatouille, Wall-E, Up), Brenda Chapman (Egypt, Brave), Lorna Cook (Spirit Stallion of the Cimarron, Spies in Disguise), Todd Y. Kurosawa (Lilo & Stitch, Bolt, The Swan Princess) and Simon Wells (Roger Rabbit, BaltoEgypt) were among the storyguys. William Salazar (BaltoEgypt) and James Baxter (Beauty, Hunchback) animated Tulio. Rodolphe Guenoden (who animated Tzipporah in Egypt) animated Chel. Kathy Zielinski (Mermaid, Hunchback) and Duncan Marjoribanks (Mermaid, Aladdin) animated Tzekel-Kan. Kristof Serrand (BaltoEgypt) and Fabio Lignini (BaltoEgypt) animated Altivo and Cortes (Serrand aslo did the final line animation). Pres Romanillos (PocahontasMulan) animated the Jaguar. Klaus Badelt (Caribbean, Catwoman) was the Technical Music Advisor. Sandra Rabins and Penney Finkelman Cox (AntzEgypt, Shrek) were also a part of this movie, as was Paul Lasaine (Egypt). 
 
 
 
 
 
 
 

 
 
 
 
 
 
The Staple and Reception of The Road to El Dorado
 
Yes, I`m going to eat it just
like this :) It`s delicious :)

As for the overall staple and reception of The Road to El Dorado, it`s fair to state that it truly serves as a cult movie in every regard. It wasn`t a hit at the Box Office during it`s release and was mostly shunned critcially. Truth to be told, The Prince of Egypt was the only of the quartet of DreamWorks Hand Drawn pictures to achieve criticial and commercial success. And regardless of how DreamWorks managed to make four Hand Drawn movies in a row in a time where animation was slowly changing, El Dorado still managed to gain a slight fanbase through the years. 
Yes, I`m (the man below) not
afraid of any of you. Cause
you`re harmless ;)
As for why the critics didn`t like it, they blamed the story, characters and the score. Some thought the pace was too brisk and that it was simply soulless and forgettable. Even the soundtrack didn`t do well either, as it peaked at the 61th spot on Billboard. As for my own personal opinion of El Dorado, it would be relevant to ask if it`s original reception was reserved. While my answer is no, the truth is that despite that El Dorado is a movie that I happen to love a lot, it`s still easy to see it`s flaws. It`s visually splendid, beautifully drawn, exciting and refreshingly funny and breezy (due to how most animated movies at the time were serious epics). But my overall consensus of El Dorado is that is a highly entertaining and enjoyable movie, but also a very flawed movie as well.
 
 
 
 
 
 




 

 
 

Comparisons to Disney Movies With a Similar Premise
 
I wanted to look smug for this
picture, despite that I`m tired
from my journey :)

A loose adaptation about the legendary, Meso-American myth of the
titular cityThe Road to El Dorado is essentially a semi-adaptation of a colonial myth (despite how the original story started in the 16th Century and the city was actually in Colombia). And sure, since it`s essentially another exploration of colonists exploring the New World, it would make it comparable to another feature that shares a similar premise, Pocahontas. But while that comparison is of course inevitable, it`s still superfluous. Just like PocahontasEl Dorado is based on an Native American myth (despite how it`s based on Mayan people, El Dorado was a blend of Incas, Mayan and Aztecs). And just like Pocahontas, it has an interracial romance between a male settler and a Native gal. But unlike Pocahontas, El Dorado touches on the interaction between the Settlers and the Natives briefly, without settling on the colonization (and yes, El Dorado was criticized for it. But the creators didn`t wanted to make the Natives be like noble savages or the Spaniards like civilized saviors). And unlike Pocahontas, El Dorado wasn`t based on a Historical person. And unlike Pocahontas, El Dorado has two White leads and makes the Natives secondary characters (despite how El Dorado remarkably enough has two villains from each culture: Cortes and Tzekel-Kan)
No, you should obey the guy :)
Cause we`re the bosses ;)

And unlike Pocahontas,
El Dorado is a comedy, first and foremost.
However, another comparison would`ve of course been The Emperor`s New Groove. For portraying a South American Dynasty. But that comparison is even more superfluous. Despite being set in Latin America, Groove is a rather vague, anacronistic and non-specific depiction of Incan culture. Without truly dwelving into the aspects of the culture (as Kingdom of the Sun would`ve been). However, what Groove has in common with El Dorado is how it`s also a comedy, despite how the El Dorado is visually more polished and has more flair. And also being a buddy picture and having a small set of characters. But unlike El DoradoGroove doesn`t give the lead character a love interest whatsoever and is centered on a non-White lead. And sure, technically El Dorado would also be comparable to the following Atlantis The Lost Empire, which also had a pretty similar premise: Of a White explorer discovering an ancient, lost culture and a interracial romance.
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
Comparisons to it`s DreamWorks Counterparts
 
Since we`re all alone, we can
lay like this :)
In reality, The Road to El Dorado has the trademarks the DreamWorks animated features had a the time: A bromance between two male leads (who are essentially meant to be scroundlers, despite how Miguel is essentially the most sympathetic of the duo), a female love interest, two cultures clashing (despite how Sinbad Legend of the Seven Seas was very eclectic with it`s cast) and a villlain who doesn`t get defeated. And no matter what you can say about DreamWorks ambitions, at least they shall have genuine praise for their explorations of non-White myths. But El Dorado is first and foremost a buddy picture (cause yes, their dynamic was inspired from Joey and Chandler from Friends). Katzenberg deliberately wanted the movie to be about the sidekicks in animated movies, as opposed to the heroes. For being dysfunctional losers. But it was a challenge to not have them upstaging each other.
Since I`m (Tzekel-Kan)
conceited, I`m not good at
hiding how I`m delighted that
this shot was dedicated to
me :)
However, since
El Dorado was following the heels of The Prince of Egypt, it served as a complete departure from it. But it was a deliberate choice, to balance out the seriousness from the Biblical Egypt. But out of the fabulous four of the DreamWorks features, El Dorado was undoubtly the most gung-ho, frivolous and comedic. And regarding the short-lived trend of rock stars lending their voices to animated features, it`s funny how DreamWorks made two movies that followed the rut in a row (the following would be Spirit). But it was a deliberate choice to have that route. As Disney would at least wait four years before making a movie where artists would lend their voices to a picture, with Brother Bear.
 
 
 
 
 
 
 

 
 
 
 

The Flaws of The Road to El Dorado

Yes, I`m (Chel) attracted to
you, despite your size :)

The flaws of The Road to El Dorado lies on the screenplay, with is treated with many issues that are simply not as worked out as they should`ve been. The biggest issue is the langauge barrier: How the Spaniards and the Natives are completely able to understand each other without further question. And yes, it would be easy to frown at the "listen with your heart"-device that was used in Pocahontas (since let`s face it, it was too unrealistic). But at least Pocahontas had a device for it. In El Dorado, there`s really no device for the language-barrier at all, which makes the interaction not belieavable. The conflict between Tzekel-Kan and Chief Tannabok is treated superficially, without delving really into it (which was a deliberate choice from the directors)
We`ve listened to Tarzan Boy
too many times :)

Even Chel`s motivation is never explored or explained (which also was a deliberate choice). The final conflict between Tulio and Miguel is not particularly worked out, since Tulio betrays Miguel and their resolution to their conflict is not particularly satisfying. As Tulio should`ve been the one who mended their friendship. And the ending, while having it`s own resonance, feels too abrupt and not particularly well executed. Perhaps these flaws of the screenplay was a result of the problems within the crew and how they pulled the movie in different directions. But as for the final moral to the story, despite how El Dorado is mostly fun and frivoulous, it has a traditional and simplistic with it`s arc for it`s characters (of greed versus anti-greed).
 
 
 
 
 
 

 
 
 
 
 
 
 

The Sexual Overtones of The Road to El Dorado

Well, this is a dysfunctional
fruit :) Don`t ask me why :)
However, regardless of the structural faults in the screenplay, The Road to El Dorado is also highly notable for one specific thing. For the sexual overtones of the relationship between Tulio and Chel (who`s undoubtly the most sexualized character DreamWorks has ever made). Sure, there`s nothing particularly explicit or graphic about the overtones between them. But it`s still present and not particularaly handled in a subtle way. In that regard, El Dorado truly lives up to it`s PG rating (back when PG rating was particularly a big deal). But in that regard, it would`ve made it instantly comparable to Disney`s Hunchback, for also featuring sexual overtones. 
Yes, this is a non-PG way of
seduction, girls :)
However, still both movies treates those issues differently. While Hunchback was rather radical and controversial with it`s sexual content and depitcting a lust from a cynical villain (and Hunchback never even earned a PG rating, as it should`ve have), El Dorado essentially features sexual content between two lovers. Sure, is it particularly kid friendly? Not necessarily. But is it truly elaborate or radical? Not particularly. It is of course questionable to have it in an animated movie pitched for kids.
This is what gold does to ya,
girls :)
But yeah, the sequence was originally much more steamier and was in a bathtub. And yes, Chel was toned down, as she was more sexier and also skinnier. But the crew wanted her as a full-figured woman with a rounder shape and not like the typical beautiful, Disney heroine. When Perez saw the design of Chel, she thought her ancles were too big. And yes, Chel gained some criticism for being a sex toy by Olin Tezcatlipoca, director of Mexica Movement. And sure, the naked butts of Tulio and Miguel are shown (which received some reaction) and Tulio and Miguel`s friendship could`ve been easily interpreted as a gay relationship (which yes, there were more references to. But afterwards thrown away).













 
 
 
 
 
Behind the Scenes Information
 
I wanted to make my eyes
huge. Don`t ask me why :)
The idea for 
The Road to El Dorado came from Katzenberg, who gave Elliott and Rossio Hugh Thomas's book Conquest: Montezuma, Cortés and the Fall of Old Mexico. Desiring to make an animated film set in the Age of Discovery. At the spring of 1995, Elliott and Rossio made a treatment inspired by the Bob Hope and Bing Crosby Road to... films with self-interested, comedic anti-heroes who sets out to find the Lost City of Gold after getting a map to its location. Steven Spielberg was involved. Will Finn and David Silverman were originally the film's directors and planned to release it for fall 1999. Originally, the story was conceived as dramatic, due to Katzenberg's urge for large-scale animated films. It was going to be more complex and have deeper characterizations. Which conflicted with the film's lighthearted elements. Originally Miguel was a raunchy Sancho Panza-like character who died, but came back to life, so the natives assumed he was a god. Elliott compared it to the 1999 war comedy Three Kings, which ended with the downfall of the Aztec Empire from Hernán Cortés. And yes, the script had originally our heroes encountering a city that was mistaken for El Dorado and would end tragically.
These are my poses for the
Olympics next year :)

Because of the tone change, the film was put on hold (where it was jokingly referred to as El Dorado: The Lost City on Hold). The crew wanted it to be rated PG-13, but then realized they couldn`t exclude the younger kids. Finn and Silverman left the project in 1998 for disputes over the film's creative direction. And yes, since Groove was on it`s way, Katzenberg wanted El Dorado to be completed before GrooveOn August 15, 1998, Kline, Branagh and Perez were cast. Because the animation department was busy with Egypt, the studio devoted more resources on it film than on El Dorado. In 1996, Rice and John were asked to compose seven songs. Rice wrote the lyrics first and gave them to John to compose the music. But the majority of the songs from the first version were thrown out. However, the songs on the soundtrack were different from the versions from the movie. A "Cast & Crew Special Edition" version of the soundtrack exists, but as a promo-only release. And yes, Backstreet Boys sang backing vocals on Friends Never Say Goodbye, uncredited. And The Eagles members Don Henley and Timothy B. Schmit sang background vocals on Without Question. The team went to Yucutan Mexico for inspiration, led by archeologist John Pohl. Where they studied ancient Mayan cities of Tulum, Chichen Itza, and Uxmal.
This is our crocodile ritual :)
Don`t ask us why :)
Kline and Brannagh recorded their scenes together, which was urged by the directors. The opening scene was the only purely CGI sequence. Both Tulio and Miguel were deliberately given more color to stick out from the gray environment of Spain. Most of the backgrounds were switched by having traditionally drawn backgrounds and digitally produced. In El Dorado, Kansas, an event was held where the streets were painted gold for the film's home video release. The production took four and a half years and 485 artists from 30 countries. Each director had their own task: Bergeron owersaw the effects, background and color models, while Paul oversaw animation, post-production and recording. Tulio`s design was inspired by John Cleese for his "tall man funny walk" and Nicholas Cage for his masculine build without puffery. The Jaguar was a tricky character and it took two years before they animated it. But the challenge was to have the Maya designs, without being too difficult to animate. Dusty Horner animated it as an organic being and as a hard object, combining both. El Dorado was the first time where artists would take paintings, scan them to the computer and use Adobe Photoshop.
I`m rehearsing for Christina
Milian`s Am to PM video :)
The layout department made over twenty 3D sets on El Dorado more than four times as many as Egypt. But the process was more fun than Egypt, as they didn't have the same technical hurdles that they had. With the "tradigital" platform in place, it had less problems visually than Egypt. But stylistically it's a bolder film. and the use of dialogue in the film is much tighter. For the climatic rafting scene, Doug Ikeler developed a system called Spryticle, to enhance and give details to the waves of water. Which had hand-drawn animation copied to the particle system and put it on the particles. So it multiplied it a thousand fold. And it was inspired by The River Wild with Meryl Streep and Kevin Bacon. The animators on the movie actually animated Elton himself of the movie. And it was done in a couple of weeks. El Dorado had the widest release for a cartoon ever at the time, playing in 3,218 theaters in the US. And PDI helped the crew with the CGI. 

 

 

 
 
 
 
 
 

 
 
 
 
 
 
Epilogue
 
We were placed between this
standee, to make it kid
friendly :)
At the end, it`s hard to conclude a movie like The Road to El Dorado. A movie that is highly enjoyable, but also hampered by it`s flaws. Is it fair to call it an uneven film? Yes. But is it fair to call it a broken film? Perhaps no. Regardless of my previous statements of it`s aforementioned flaws, the truth is that I do have my soft spot for it. I genuinely loved it when I saw it for the first time in the middle of my teens. And loved it on DVD when I got it the following and frankly still do love it as an adult. For it`s aforementioned strengths and also, for most properties, for nostalgia. As for it`s other strengths, I do like the songs (well, at least El Dorado, The Trail We Blaze and Without Question) despite how they`re not as great as those from The Lion King. And the score from Zimmer and Powell is really good, too
Since I`m (Chel) the woman, I
should be in the middle. For
obvious reasons, duuuh :)
And yes, since it`s regarded as a cult classic, there are many who considers it to be underrated. It would be tempting to wonder if it`s ever going to escape that latter staple, despite how it`s now received it`s status as a cult classic. But while that being said, since this entry was meant to synergize it`s 25th Anniversary (yes, it`s hard to believe that for someone who was in the middle of his puberty that this movie is now that old), there`s nothing else to wish The Road to El Dorado Happy 25th Anniversary and may you continue to have many more.






This was our best way to make an entrance :) To our circus :)






References:
The Road to El Dorado Special Edition DVD
Animation Magazine April 2000